Wu Hung is Harrie A. Vanderstappen Distinguished Service Professor of Art History, and East Asian Languages and Civilization, at the University of Chicago. Special research interests include relationships between visual forms (architecture, bronze vessels, pictorial carvings and murals, etc.) and ritual, social memory, and political discourses.
From the first sets of photographic records made by Western travelers to doctored portraits of Chairman Mao and the avant-garde photographic performances of the post–Cultural Revolution era, photography in China has followed divergent paths. In this book, Wu Hung explores the multiple histories of photographic production in China, using them to tell a larger story about China’s shifting sociopolitical contexts and the different agendas, technologies, and aesthetics that have helped define its arts.
At the center of the book is a large question: how has photography represented China and its people, its collective history and memory as well as the diversity of Chinese artists who have striven for creative expression? To address this question, the author offers an in-depth study of selected photographers, themes, and movements in Chinese photography from 1860 to the present, covering a wide range of genres, including portraiture, photojournalism, architectural and landscape photography, and conceptual photography. Beautifully illustrated, this book offers a multifaceted and in-depth analysis of an important photographic history.
發表於2024-11-22
Zooming In 2024 pdf epub mobi 電子書 下載
本書寫的太好瞭,作者用樸實的文字從攝影史的角度把中國近代史又過瞭一遍,已經分不清是一本帶有插圖的書還是注釋偏多的影集。 140140140140140140140140140140140140140140140140140140140140140140140140140140140140140140140140140140140140140140140140140140
評分本書寫的太好瞭,作者用樸實的文字從攝影史的角度把中國近代史又過瞭一遍,已經分不清是一本帶有插圖的書還是注釋偏多的影集。 140140140140140140140140140140140140140140140140140140140140140140140140140140140140140140140140140140140140140140140140140140
評分本書寫的太好瞭,作者用樸實的文字從攝影史的角度把中國近代史又過瞭一遍,已經分不清是一本帶有插圖的書還是注釋偏多的影集。 140140140140140140140140140140140140140140140140140140140140140140140140140140140140140140140140140140140140140140140140140140
評分花瞭兩天時間匆匆讀完巫鴻《聚焦:攝影在中國》。很難說這是一部中國攝影史通史,因為這本小書隻是選取瞭若乾不連續的片段而已,更重要的是,這隻是巫鴻的攝影史。全書都有很強的他自己知識興趣的烙印。從美術史到考古學再到實驗藝術。巫鴻選取瞭中國攝影史上他最感興趣的人和事...
評分照片是記憶的載體,往昔的遺物。1839年,福剋斯·塔爾博特發明瞭照相機,它鏇即被廣泛應用於文件建檔、新聞報道、傢庭留念、社會調查等各個方麵,很快變成瞭一種“觀察者的技術”,藝術評論傢喬納森·剋拉裏曾歸納,“照片不僅在新商品經濟中,同時也在整個符號與影像版圖的重...
圖書標籤: 攝影 藝術史 巫鴻 攝影史 中國藝術史 文化研究 文化批評 art
豐富的曆史細節與巫鴻本人與攝影藝術傢們的connection分不開。可能是中國當代攝影唯一的(非官方)曆史記錄。教授一周布置一章,一個學期下來剛好讀完。其中駁斥瞭一些研究中國藝術史的西方學者的觀點,對比中可見各自傾嚮,值得細讀。另:巫鴻老師是齣色的非母語人文學科學術寫作者,讀來沒有太多非母語者使用英語的齟齬感。
評分這次讀的英文,很平白,仍然是時間上遠的比近的講得好…… 收獲瞭一些靈感。
評分任何新來的(exotic)的事物都會經歷著陸,生根和延發的過程,隻有在本生文化中尋求到理解纔能最終超脫於本生文化的土壤,攝影也不例外。巫鴻這本書更像是會議集(conference proceedings),而文章全是他一人主導,所以像是他一個人的會議。他採取case study,大緻是以時間的順序作為安排,揭示瞭攝影在中國的歷史的若乾麵嚮,如何最初在本土通過重新錶達既定而長存的題材,互動,進而迎嚮在概念上飛躍。推薦給想瞭解攝影,但又不拘於枯燥的historical survey的讀者。
評分這次讀的英文,很平白,仍然是時間上遠的比近的講得好…… 收獲瞭一些靈感。
評分任何新來的(exotic)的事物都會經歷著陸,生根和延發的過程,隻有在本生文化中尋求到理解纔能最終超脫於本生文化的土壤,攝影也不例外。巫鴻這本書更像是會議集(conference proceedings),而文章全是他一人主導,所以像是他一個人的會議。他採取case study,大緻是以時間的順序作為安排,揭示瞭攝影在中國的歷史的若乾麵嚮,如何最初在本土通過重新錶達既定而長存的題材,互動,進而迎嚮在概念上飛躍。推薦給想瞭解攝影,但又不拘於枯燥的historical survey的讀者。
Zooming In 2024 pdf epub mobi 電子書 下載