发表于2024-11-24
Laura Mulvey: Visual Pleasure and Narrative Cinema 2024 pdf epub mobi 电子书
图书标签: GENDER 艺术 女性 visual research; interdisciplinary culture FILM
Since it first appeared in Screen in 1975, Laura Mulvey’s essay "Visual Pleasure and Narrative Cinema" has been an enduring point of reference for artists, filmmakers, writers and theorists. Mulvey’s compelling polemical analysis of visual pleasure has provoked and encouraged others to take positions, challenge preconceived ideas and produce new works that owe their possibility to the generative qualities of this key essay.
In this book, the celebrated New York-based video artist Rachel Rose (born 1986) has produced an innovative work that extends and adds to the essay’s frame of reference. Drawing on 18th- and 19th-century fairy tales, and observing how their flat narratives matched the flatness of their depictions, Rose created collages that connect these pre-cinematic illustrations to what Mulvey describes in her essay-cinema flattening sexuality into visuality.
补标
评分mulvey如果称自己为女性主义者,为什么只研究the male gaze而不研究the female gaze哦?能gaze的只有男性吗?女性都没长眼睛吗lol?认为女性只是被阳性视角观看/注视/偷窥的欲望客体是因为你首先把男性放在主动观看的主体位置,不是吗。如果把女性考虑进主动观看而非被动接收的主体位置(aka 意识到女性也长了眼睛这一事实...),研究男性成为被注视的客体和女性的欲望心理是不是更显你女权一点?/对电影的论述很有理有据给三星吧
评分几十年不衰减的引用量足以证明这是一篇伟大且充满争议的文章。通过引用弗洛伊德精神分析,分析了传统好莱坞电影带来的两种视觉快感:scopophilic voyeurism与narcissistic identification。前者是隐藏于暗处(银幕外黑暗)的偷窥快感,后者是自我中心理想化的银幕投射。对我最大的启发是,将俄狄浦斯情结的castration anxiety类比到男性凝视中,并将解决这种焦虑的方法归结于希区柯克式的sadistic voyeurism和Sternberg式的fetishistic scopophilia。对male gaze的分析是开创先例且非常老练的,在这之后关于种族性别的gaze讨论,全都绕不过Mulvey。
评分几十年不衰减的引用量足以证明这是一篇伟大且充满争议的文章。通过引用弗洛伊德精神分析,分析了传统好莱坞电影带来的两种视觉快感:scopophilic voyeurism与narcissistic identification。前者是隐藏于暗处(银幕外黑暗)的偷窥快感,后者是自我中心理想化的银幕投射。对我最大的启发是,将俄狄浦斯情结的castration anxiety类比到男性凝视中,并将解决这种焦虑的方法归结于希区柯克式的sadistic voyeurism和Sternberg式的fetishistic scopophilia。对male gaze的分析是开创先例且非常老练的,在这之后关于种族性别的gaze讨论,全都绕不过Mulvey。
评分mulvey如果称自己为女性主义者,为什么只研究the male gaze而不研究the female gaze哦?能gaze的只有男性吗?女性都没长眼睛吗lol?认为女性只是被阳性视角观看/注视/偷窥的欲望客体是因为你首先把男性放在主动观看的主体位置,不是吗。如果把女性考虑进主动观看而非被动接收的主体位置(aka 意识到女性也长了眼睛这一事实...),研究男性成为被注视的客体和女性的欲望心理是不是更显你女权一点?/对电影的论述很有理有据给三星吧
Laura Mulvey: Visual Pleasure and Narrative Cinema 2024 pdf epub mobi 电子书