目錄

marco corona - le benemerenze di satana

andrea bruno - laghetto

alessandro tota - the party

giacomo monti - 12/12/2012

davide catania - linciaggio

edo chieregato / michelangelo setola - io sono pianto 2

amanda vähämäki - profeta

giacomo nanni - gomma e bozzo

編輯小語

Reading is good for you. I read Cortàzar’s Hopscotch written in 1962. Defined as an “experimental novel”, “disorder novel”, the book suggests, under instructions of the author at least two different ways of reading it: from the start right up to chapter number 56, or to zigzag beginning from chapter number 73. But once you start you go on instinctively following your own interest. The book is divided into three parts: On the other side, On this side, On other sides. In the third part there is a lot of talking about Morelli, a nice presence. Morelli is a writer that has a special idea of Art, consisting most of all in destroying its usual forms, a normal attitude for a good artist. Morelli tries to force reader’s mental habits. For example he hates long and complicated novels. Besides, he cares even less about the connection between parts, and looks for causality between the elements he works with. Morelli asks himself: would he like a story that is not literary at all? Cut out the intolerable sentences, it’s better to have something more rough, more prosaic, something that is just a vehicle for information. Separating what is useful from what is amusing. How to tell a story without using any literary tricks, without winking at the reader? Getting the reader to be an accomplice, by suggesting him, other than the conventional plot, more esoteric ways to interpret the book? Dig into a complicated, inconsistent, anti-narrative text. Cut from the roots every systematic construction of characters and situations. Search for broadmindedness. Reading too much is less good for you.

--edo chieregato

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