Christopher B. Balme holds the chair in theatre studies at the Ludwig-Maximilians-Universität Munchen. His books include The Theatrical Public Sphere (Cambridge, 2014) and he is a senior co-editor of the six-volume Cultural History of Theatre (2017). He is principal investigator of the ERC project 'Developing Theatre'.
发表于2024-12-30
The Globalization of Theatre 1870-1930 2024 pdf epub mobi 电子书
图书标签: 剧场研究 Christopher_Balme
Between 1895 and 1922 the Anglo-American actor and manager, Maurice E. Bandmann (1872-1922) created a theatrical circuit that extended from Gibraltar to Tokyo and included regular tours to the West Indies and South America. With headquarters in Calcutta and Cairo and companies listed on the Indian stock exchange, his operations represent a significant shift towards the globalization of theatre. This study focuses on seven key areas: family networks; the business of theatrical touring; the politics of locality; repertoire and publics; an ethnography of itinerant acting; legal disputes and the provision of theatrical infrastructure. It draws on global and transnational history, network theory and analysis as well as in-depth archival research to provide a new approach to studying theatre in the age of empire.
拉图尔「行动者网络理论」的操演。勾勒Maurice Bandmann在十九世纪末搭建的环球戏剧网络,足迹从马耳他到上海,标志着演出运营模式的重要转型:从家庭到股份有限公司,维系纽带愈发脆弱但随机应变;既搞垄断,又喜多元,既能演莎翁(受众多为印度精英而非殖民长官),又能演歌舞喜剧;既在当地深耕经营,建造剧院,又扮演中介角色,「翻译」宗主国的表演文化;长期的世界巡演状态,既让演员大开眼界,又面临收入汇率转换、热带疾病、乱交、剧目轮演制带来的疲劳等问题,为合同毁约不惜和经理对簿公堂。一桩女演员勉为其难唱女高音的案子,审理过程颇具戏剧性,而殖民法庭的灵活释法,使公司接受演员流失的事实;随着旅途成本上涨,戏剧巡演让位于展映爱国宣传片,竟也成为大捞一票的契机;传主身前风光,身后无名,历史的吊诡即在于此。
评分拉图尔「行动者网络理论」的操演。勾勒Maurice Bandmann在十九世纪末搭建的环球戏剧网络,足迹从马耳他到上海,标志着演出运营模式的重要转型:从家庭到股份有限公司,维系纽带愈发脆弱但随机应变;既搞垄断,又喜多元,既能演莎翁(受众多为印度精英而非殖民长官),又能演歌舞喜剧;既在当地深耕经营,建造剧院,又扮演中介角色,「翻译」宗主国的表演文化;长期的世界巡演状态,既让演员大开眼界,又面临收入汇率转换、热带疾病、乱交、剧目轮演制带来的疲劳等问题,为合同毁约不惜和经理对簿公堂。一桩女演员勉为其难唱女高音的案子,审理过程颇具戏剧性,而殖民法庭的灵活释法,使公司接受演员流失的事实;随着旅途成本上涨,戏剧巡演让位于展映爱国宣传片,竟也成为大捞一票的契机;传主身前风光,身后无名,历史的吊诡即在于此。
评分拉图尔「行动者网络理论」的操演。勾勒Maurice Bandmann在十九世纪末搭建的环球戏剧网络,足迹从马耳他到上海,标志着演出运营模式的重要转型:从家庭到股份有限公司,维系纽带愈发脆弱但随机应变;既搞垄断,又喜多元,既能演莎翁(受众多为印度精英而非殖民长官),又能演歌舞喜剧;既在当地深耕经营,建造剧院,又扮演中介角色,「翻译」宗主国的表演文化;长期的世界巡演状态,既让演员大开眼界,又面临收入汇率转换、热带疾病、乱交、剧目轮演制带来的疲劳等问题,为合同毁约不惜和经理对簿公堂。一桩女演员勉为其难唱女高音的案子,审理过程颇具戏剧性,而殖民法庭的灵活释法,使公司接受演员流失的事实;随着旅途成本上涨,戏剧巡演让位于展映爱国宣传片,竟也成为大捞一票的契机;传主身前风光,身后无名,历史的吊诡即在于此。
评分这年头能安心做戏剧史的学者真的是越来越少了
评分这年头能安心做戏剧史的学者真的是越来越少了
The Globalization of Theatre 1870-1930 2024 pdf epub mobi 电子书