Andrew F. Jones, professor and Louis B. Agassiz Chair in Chinese at the University of California, Berkeley, teaches modern Chinese literature and media culture. He is author of Like a Knife: Ideology and Genre in Contemporary Chinese Popular Music, Yellow Music: Media Culture and Colonial Modernity in the Chinese Jazz Age, and Developmental Fairy Tales: Evolutionary Thinking and Modern Chinese Culture. He has also translated two books of fiction by Yu Hua, and a volume of literary essays by Eileen Chang.
发表于2024-12-23
Circuit Listening 2024 pdf epub mobi 电子书
图书标签: 海外中国研究 文化研究 音乐史 音乐 文化史 政治经济学 kindle 声音研究
How the Chinese pop of the 1960s participated in a global musical revolution
What did Mao’s China have to do with the music of youth revolt in the 1960s? And how did the mambo, the Beatles, and Bob Dylan sound on the front lines of the Cold War in Asia? In Circuit Listening, Andrew F. Jones listens in on the 1960s beyond the West, and suggests how transistor technology, decolonization, and the Green Revolution transformed the sound of music around the globe.
Focusing on the introduction of the transistor in revolutionary China and its Cold War counterpart in Taiwan, Circuit Listening reveals the hidden parallels between music as seemingly disparate as rock and roll and Maoist anthems. It offers groundbreaking studies of Mandarin diva Grace Chang and the Taiwanese folk troubadour Chen Da, examines how revolutionary aphorisms from the Little Red Book parallel the Beatles’ “Revolution,” uncovers how U.S. military installations came to serve as a conduit for the dissemination of Anglophone pop music into East Asia, and shows how consumer electronics helped the pop idol Teresa Teng bring the Maoist era to a close, remaking the contemporary Chinese soundscape forever.
Circuit Listening provides a multifaceted history of Chinese-language popular music and media at midcentury. It profiles a number of the most famous and best loved Chinese singers and cinematic icons, and places those figures in a larger geopolitical and technological context. Circuit Listening’s original research and far-reaching ideas make for an unprecedented look at the role Chinese music played in the ’60s pop musical revolution.
是否存在一种1960s的音乐?讨论冷战格局下两岸的音乐circuits- transnational paths along which migrants, media, and music flow within and across geographical borders. 主要看了内地音乐的部分(第二章和第六章)。第二章通过语录歌写毛时代的media infrastructure, radio, 很多内容Li Jie最新的文章提到了。第六章关于邓丽君的写得真好啊。“音色”(Timbre)作为一个network trace如何揭示the mediation of a technologized acoustic environment 和enbodiment的交织
评分是否存在一种1960s的音乐?讨论冷战格局下两岸的音乐circuits- transnational paths along which migrants, media, and music flow within and across geographical borders. 主要看了内地音乐的部分(第二章和第六章)。第二章通过语录歌写毛时代的media infrastructure, radio, 很多内容Li Jie最新的文章提到了。第六章关于邓丽君的写得真好啊。“音色”(Timbre)作为一个network trace如何揭示the mediation of a technologized acoustic environment 和enbodiment的交织
评分是否存在一种1960s的音乐?讨论冷战格局下两岸的音乐circuits- transnational paths along which migrants, media, and music flow within and across geographical borders. 主要看了内地音乐的部分(第二章和第六章)。第二章通过语录歌写毛时代的media infrastructure, radio, 很多内容Li Jie最新的文章提到了。第六章关于邓丽君的写得真好啊。“音色”(Timbre)作为一个network trace如何揭示the mediation of a technologized acoustic environment 和enbodiment的交织
评分当“高快硬响”的语录歌不断“征引”,用声音塑造社会主义主体,我们总是想象它是在一套封闭的媒介系统或巡回线路中发挥作用。实际上,它可能只是一种比彼时西方流行的摇滚乐更为政治的形式。被牵扯进冷战的地缘政治格局的台湾,发展出了发达的盗版工业,这使亚洲列岛被缝补进了西方与日本的大都会文化和音乐“巡演”。标志着两岸对峙的心战墙,传送着宣传声音独特的音色(Timbre),也将邓丽君的靡靡之音引入我们的视野。收音机在大陆的快速普及,并未带来真正的流动的藏私,相反,人们在家里偷听走私而来的邓丽君,牵动起身体的体验。邓被鉴为“黄色”的音色不是体现在歌词,而是她歌声里传达的“身体感”。在“听”本身与技术特性密不可分的情况下,这种突破晶体管线路的限制面向并传达民主之声的声音,虽然被禁但还是得以流传开来。
评分是否存在一种1960s的音乐?讨论冷战格局下两岸的音乐circuits- transnational paths along which migrants, media, and music flow within and across geographical borders. 主要看了内地音乐的部分(第二章和第六章)。第二章通过语录歌写毛时代的media infrastructure, radio, 很多内容Li Jie最新的文章提到了。第六章关于邓丽君的写得真好啊。“音色”(Timbre)作为一个network trace如何揭示the mediation of a technologized acoustic environment 和enbodiment的交织
Circuit Listening 2024 pdf epub mobi 电子书