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Confronting Images 2024 pdf epub mobi 電子書 下載

Confronting Images
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When the French edition of Confronting Images appeared in 1990, it won immediate acclaim because of its far-reaching arguments about the structure of images and the histories ascribed to them by scholars and critics working in the tradition of Vasari and Panofsky. According to Didi-Huberman, visual representation has an "underside" in which seemingly intelligible forms lose their clarity and defy rational understanding. Art historians, he goes on to contend, have failed to engage this underside, where images harbor limits and contradictions, because their discipline is based upon the assumption that visual representation is made up of legible signs and lends itself to rational scholarly cognition epitomized in the "science of iconology."

To escape from this cul-de-sac, Didi-Huberman suggests that art historians look to Freud's concept of the "dreamwork," not for a code of interpretation, but rather to begin to think of representation as a mobile process that often involves substitution and contradiction. Confronting Images also offers brilliant, historically grounded readings of images ranging from the Shroud of Turin to Vermeer's Lacemaker.

Confronting Images 2024 pdf epub mobi 電子書 下載

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Confronting Images 2024 pdf epub mobi 電子書 下載

Confronting Images 2024 pdf epub mobi 電子書 下載

Confronting Images 2024 pdf epub mobi 電子書 下載


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Confronting Images pdf epub mobi 讀後感

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出版者:Penn State University Press
作者:Georges Didi-Huberman
出品人:
頁數:336
譯者:
出版時間:2009-6-15
價格:USD 39.95
裝幀:Paperback
isbn號碼:9780271024721
叢書系列:

圖書標籤: 藝術史  藝術理論  Georges_Didi-Huberman  藝術  視覺轉嚮  視覺文化  英文  美術   

Confronting Images 2024 pdf epub mobi 電子書 下載
想要找書就要到 本本書屋
立刻按 ctrl+D收藏本頁
你會得到大驚喜!!

Confronting Images pdf epub mobi 用戶評價

評分☆☆☆☆☆

first and last chapters elucidate better his theory, issues of medieval/renaissance, incarnation/representation. Second and third chapters refute the Vasarian and Kantian paradigm of art history for a turn to phenomenology. Appendix is a practice of his paradigm of the symptom and dreamwork.

評分☆☆☆☆☆

最精彩的兩處：第一章對Fra Angelico的The Annunciation的評論；附錄對Proust和Vermeer的評論，為這兩處給瞭五星。中間三章主要是藝術史和藝術方法的迴顧，對瓦薩裏、康德和潘諾夫斯基思想的分析和批評，其中更喜歡瓦薩裏章一點。曾和導師談起這本書，她還特意去看瞭提到的部分，也說很喜歡。

評分☆☆☆☆☆

first and last chapters elucidate better his theory, issues of medieval/renaissance, incarnation/representation. Second and third chapters refute the Vasarian and Kantian paradigm of art history for a turn to phenomenology. Appendix is a practice of his paradigm of the symptom and dreamwork.

評分☆☆☆☆☆

最精彩的兩處：第一章對Fra Angelico的The Annunciation的評論；附錄對Proust和Vermeer的評論，為這兩處給瞭五星。中間三章主要是藝術史和藝術方法的迴顧，對瓦薩裏、康德和潘諾夫斯基思想的分析和批評，其中更喜歡瓦薩裏章一點。曾和導師談起這本書，她還特意去看瞭提到的部分，也說很喜歡。

評分☆☆☆☆☆

first and last chapters elucidate better his theory, issues of medieval/renaissance, incarnation/representation. Second and third chapters refute the Vasarian and Kantian paradigm of art history for a turn to phenomenology. Appendix is a practice of his paradigm of the symptom and dreamwork.

Confronting Images 2024 pdf epub mobi 電子書 下載

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