Acknowledgements
Notes on Contributors
Introduction; J.Díaz Cintas& G.Anderman
PART I: SUBTITLING AND SURTITLING
Subtitling for the DVD Industry; P.Georgakopoulou
Subtitling Norms in Greece and Spain; S.Sokoli
Amateur Subtitling on the Internet; L.Bogucki
The Art and Craft of Opera Surtitling; J.Burton
Challenges and Rewards of Libretto Adaptation; L.Desblache
PART II: REVOICING
Dubbing versus Subtitling: Old Battleground Revisited; J-E.Tveit
The Perception of Dubbing by Italian Audiences; R.Antonini& D.Chiaro
Transfer Norms for Film Adaptations in the Spanish-German Context; S.Cañuelo Sarrión
Voice-over in Audiovisual Translation; P.Orero
Broadcasting Interpreting: A Comparison between Japan and the UK; T.Shibahara
PART III: ACCESSIBILITY TO THE MEDIA
Interlingual Subtitling for the Deaf (and Hard-of-Hearing); J.Neves
Audio Description in the Theatre and the Visual Arts: Images into Words; A.Holland
Usability and Website Localisation; M.de Bortoli& J.M.Ortiz-Sotomayor
PART IV: EDUCATION AND TRAINING
Teaching Screen Translation: The Role of Pragmatics in Subtitling; E.Skuggevik
Pedagogical Tools for the Training of Subtitlers; C.Taylor
Teaching Subtitling in a Virtual Environment; F.Bartrina
Subtitling: Language Learners’ Needs vs. Audiovisual Market Needs; A.Caimi
Index
· · · · · · (收起)