米歇爾・福柯,20世紀極富挑戰性和反叛性的法國思想傢。青年時期就學於巴黎高等師範學校,以後曾擔任多所大學的教職。1970年起任法蘭西學院思想係統史教授,直至逝世。 福柯振奮多多數研究緻力於考察具體的曆史,由此開掘齣眾多富有衝擊力的思想主題,從而激烈地批判現代理性話語;同時,福柯的行文風格具有鮮明的文學色彩,講究修辭,飽含激情,這也是他在歐美世界産生巨大影響的一個重要原因。
This was Michel Foucault's first major book, written while he was the Director of the Maison de France in Sweden. It examines ideas, practices, institutions, art and literature relating to madness in Western history.
Foucault begins his history in the Middle Ages, noting the social and physical exclusion of lepers. He argues that with the gradual disappearance of leprosy, madness came to occupy this excluded position. The ship of fools in the 15th century is a literary version of one such exclusionary practice, the practice of sending mad people away in ships. However, during the Renaissance, madness was regarded as an all-abundant phenomena because humans could not come close to the Reason of God. As Cervantes' Don Quixote, all humans are ridiculous weak to desires and dissimulation. Therefore, the insane, understood as one who has come too close to God's Reason, was accepted in the middle of society. It is not before the 17th century, in a movement which Foucault famously describes as the Great Confinement, that "unreasonable" members of the population systematically were locked away and institutionalised. In the 18th century, madness came to be seen as the obverse of Reason, that is, as having lost what made them human and become animal-like and therefore treated as such. It is not before 19th century that madness became mental illness that should be cured, e.g. Freud. Later it was demonstrated that the large increase in confinement did not happen in 17th but in the 19th century, somewhat undermining his argument.
Foucault also argues that madness during Renaissance had the power to signify the limits of social order and to point to a deeper truth. This was silenced by the Reason of Enlightenment. He also examines the rise of modern scientific and "humanitarian" treatments of the insane, notably at the hands of Philippe Pinel and Samuel Tuke. He claims that these modern treatments were in fact no less controlling than previous methods. Tuke's country retreat for the mad consisted of punishing the madmen until they gave up their commitment to madness. Similarly, Pinel's treatment of the mad amounted to an extended aversion therapy, including such treatments as freezing showers and use of a straitjacket. In Foucault's view, this treatment amounted to repeated brutality until the pattern of judgment and punishment was internalized by the patient.
發表於2024-12-22
Madness and Civilization 2024 pdf epub mobi 電子書 下載
何爾德林患精神病三十六年,這個黑格爾最好的朋友患病後被黑格爾所拋棄,原因很簡單,他是主張理性至上的,一個喪失瞭理性的人,在他看來,等於死亡。理性與非理性的對立,由此可見一斑。 《瘋顛與文明》給我打開瞭這樣一扇窗:我們所知道的文明史不過是一場理性對非理性的勝利...
評分 評分“瘋癲不是一種自然現象,而是一種文明産物。”米歇爾•福柯如是說。 作為一種社會現象,在我們意識到這一切是如何發生以前,瘋癲已被貼上羞恥的劣等的疾病標簽,遭到健全理智主宰的現代世界的無情驅逐,於理性之光無法照耀的永夜,沉默著悲歡。而文化現象中的瘋癲,卻如尼...
評分劉北成和楊遠嬰老師譯的很漂亮。我在看的時候時時想起媽媽。小時候看過一篇小說,講一個獨居的老人,日復一日的孤單和曠日持久的無聊。他想在生活中給自己找點新鮮。於是,他把自己房間裏所有的東西的名稱都改瞭。他把茶杯叫皮鞋,把桌子叫地毯,把臺燈叫雞,把雞叫襪子。...
評分圖書標籤: Foucault 哲學 Philosophy 福柯 社會學 曆史 History 瘋癲與文明
Once you realize we are all mad, life starts to make sense. 非一句玩笑話而已。
評分忘記標記瞭 讀的第一本福柯但也是目前最喜歡的❤️
評分Foucault's madness is equivalent to Durkheim's anomie, except that Durkheim is more explicit about the changing boundary of deviance. Again,saw many words on spectacle, prison, alienated, illness, power, which were not defined clearly and disguised under his fancy literary narratives. Did not get his admiration toward the static Freud either. Chris
評分對照中譯本,嗬嗬
評分knowledge creates a milieu of abstract relationships: "the infirmities of wisdom". 如此可見福柯是靠材料說話的。他思想有極其強大的中氣和滲透力,我以為是因為早期材料對他的訓練有極強的grounding (vs. Derrida hardens
Madness and Civilization 2024 pdf epub mobi 電子書 下載