Madness and Civilization

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米歇爾・福柯,20世紀極富挑戰性和反叛性的法國思想傢。青年時期就學於巴黎高等師範學校,以後曾擔任多所大學的教職。1970年起任法蘭西學院思想係統史教授,直至逝世。 福柯振奮多多數研究緻力於考察具體的曆史,由此開掘齣眾多富有衝擊力的思想主題,從而激烈地批判現代理性話語;同時,福柯的行文風格具有鮮明的文學色彩,講究修辭,飽含激情,這也是他在歐美世界産生巨大影響的一個重要原因。

出版者:Vintage
作者:Michel Foucault
出品人:
頁數:320
译者:Richard Howard
出版時間:1988-11-28
價格:USD 15.95
裝幀:Paperback
isbn號碼:9780679721109
叢書系列:Vintage Foucault
圖書標籤:
  • Foucault 
  • 哲學 
  • Philosophy 
  • 福柯 
  • 社會學 
  • 曆史 
  • History 
  • 瘋癲與文明 
  •  
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This was Michel Foucault's first major book, written while he was the Director of the Maison de France in Sweden. It examines ideas, practices, institutions, art and literature relating to madness in Western history.

Foucault begins his history in the Middle Ages, noting the social and physical exclusion of lepers. He argues that with the gradual disappearance of leprosy, madness came to occupy this excluded position. The ship of fools in the 15th century is a literary version of one such exclusionary practice, the practice of sending mad people away in ships. However, during the Renaissance, madness was regarded as an all-abundant phenomena because humans could not come close to the Reason of God. As Cervantes' Don Quixote, all humans are ridiculous weak to desires and dissimulation. Therefore, the insane, understood as one who has come too close to God's Reason, was accepted in the middle of society. It is not before the 17th century, in a movement which Foucault famously describes as the Great Confinement, that "unreasonable" members of the population systematically were locked away and institutionalised. In the 18th century, madness came to be seen as the obverse of Reason, that is, as having lost what made them human and become animal-like and therefore treated as such. It is not before 19th century that madness became mental illness that should be cured, e.g. Freud. Later it was demonstrated that the large increase in confinement did not happen in 17th but in the 19th century, somewhat undermining his argument.

Foucault also argues that madness during Renaissance had the power to signify the limits of social order and to point to a deeper truth. This was silenced by the Reason of Enlightenment. He also examines the rise of modern scientific and "humanitarian" treatments of the insane, notably at the hands of Philippe Pinel and Samuel Tuke. He claims that these modern treatments were in fact no less controlling than previous methods. Tuke's country retreat for the mad consisted of punishing the madmen until they gave up their commitment to madness. Similarly, Pinel's treatment of the mad amounted to an extended aversion therapy, including such treatments as freezing showers and use of a straitjacket. In Foucault's view, this treatment amounted to repeated brutality until the pattern of judgment and punishment was internalized by the patient.

具體描述

讀後感

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福柯的鑰匙 一次要感謝無規可循的閱讀,在各種後現代理論著作被大量翻譯引進之際,在福柯被如日中天地炒作,“人之死”,“解構”,“身體—權力”等字眼以瘋癲的頻率齣現於各種大報小刊之時,我幸運的讀到瞭這本《瘋癲與文明》。據說,在福柯這顆20世紀最偉大的頭腦中産生瞭...

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“瘋癲不是一種自然現象,而是一種文明産物。”米歇爾•福柯如是說。 作為一種社會現象,在我們意識到這一切是如何發生以前,瘋癲已被貼上羞恥的劣等的疾病標簽,遭到健全理智主宰的現代世界的無情驅逐,於理性之光無法照耀的永夜,沉默著悲歡。而文化現象中的瘋癲,卻如尼...  

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用戶評價

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第九章醫生在精神病院裏建立傢庭結構,通過樹立父親權威進行“道德治療”,把病人控製在一個責任係統和對自己無休止的審判中,希望病人通過承認自己客體地位成為一個負責的主體。看得人脊柱發涼。。。

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看完整個人都中二瞭。

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knowledge creates a milieu of abstract relationships: "the infirmities of wisdom". 如此可見福柯是靠材料說話的。他思想有極其強大的中氣和滲透力,我以為是因為早期材料對他的訓練有極強的grounding (vs. Derrida hardens

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Once you realize we are all mad, life starts to make sense. 非一句玩笑話而已。

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