Dada and Surrealism

戴维·霍普金斯（David Hopkins） 格拉斯哥大学艺术史和艺术理论教授。曾著有畅销书《现代艺术之后：1945—2000年》（2000年）。其他理论专著还有《马塞尔·杜尚和马克斯·恩斯特：分享新娘》（1988年）及《达达的男孩子们：杜尚之后的男性气质》（2008年）。

出版者:OUP Oxford

作者:David Hopkins

页数:208

出版时间:2004-06-24

价格:GBP 7.99

装帧:Paperback

isbn号码:9780192802545

丛书系列:Very Short Introductions

图书标签:艺术VSISurrealismDadaHistoryofArtAvantGarde当代艺术已入

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The avant-garde movements of Dada and Surrealism continue to have a huge influence on cultural practice, especially in contemporary art, with its obsession with sexuality, fetishism, and shock tactics. In this new treatment of the subject, Hopkins focuses on the many debates surrounding these movements: the Marquis de Sade's Surrealist deification, issues of quality (How good is Dali?), the idea of the 'readymade', attitudes towards the city, the impact of Freud, attitudes to women, fetishism, and primitivism. The international nature of these movements is examined, covering the cities of Zurich, New York, Berlin, Cologne, Barcelona, Paris, London, and recenlty discovered examples in Eastern Europe. Hopkins explores the huge range of media employed by both Dada and Surrealism (collage, painting, found objects, performance art, photography, film) , whilst at the same time establishing the aesthetic differences between the movements. He also examines the Dadaist obsession with the body-as-mechanism in relation to the Surrealists' return to the fetishized/eroticized body.

读后感

莎拉·卢卡斯《下马饮奶》 杜尚《泉》 马塞尔·杨科《伏尔泰酒馆》 马克斯·恩斯特《圣母怜子》 汉斯·阿尔普《按照机会定律排列的长方形，拼贴》 安德烈·马松《鸟的诞生》《圣诞谈话》汉娜·赫希《资产阶级婚侣——争吵》胡安·米罗《猎人》勒内·玛格丽特《强奸》萨瓦尔多·...  

达达和超现实主义常被人混为一谈，一则是因为达达历时短（1916-1923年），再则是超现实主义的发端（1924年）几乎紧随达达之后且受到达达运动的影响。《达达与超现实主义》就是带着我们用放大镜去端详这段时隔近乎一个世纪的历史，领略这两场对我们影响深远的运动。 一. 历史图...  

达达和超现实主义常被人混为一谈，一则是因为达达历时短（1916-1923年），再则是超现实主义的发端（1924年）几乎紧随达达之后且受到达达运动的影响。《达达与超现实主义》就是带着我们用放大镜去端详这段时隔近乎一个世纪的历史，领略这两场对我们影响深远的运动。 一. 历史图...  

达达主义作为破坏者，而超现实主义则是以新神话创造者的雄心登上舞台的。超现实主义是分裂的：布勒东的启示神学与巴塔耶的基础唯物主义。、 文学上，超现实主义有以下贡献：超现实主义的“痉挛美”定义为三种类型：“隐藏的性欲”，以生机勃勃同死气沉沉的相互融合为特征（正如...  

用户评价

Dada and Surrealism seem to encapsulate the very essence of contemporary art, one with ambivalence between aesthetics and humanity and their subversion, between the universal and the individualism, between men and women, between spirituality and commercialism. Art before them are for art's sake, but that after them are for idea's and huma

Dada and Surrealism seem to encapsulate the very essence of contemporary art, one with ambivalence between aesthetics and humanity and their subversion, between the universal and the individualism, between men and women, between spirituality and commercialism. Art before them are for art's sake, but that after them are for idea's and huma

very short introduction #4 对于这两个密切相关的流派的评价写得还不错，但作为一本讲艺术的书，插图那么少，好多作品只能看文字描述，实在是太吊胃口了

短小, 但很周到

完全是囫囵吞枣扫过一遍，只记得一些关键词。