No other country and no other period has produced a tradition of major aesthetic debate to compare with that which unfolded in German culture from the 1930s to the 1950s. In Aesthetics and Politics the key texts of the great Marxist controversies over literature and art during these years are assembled in a single volume. They do not form a disparate collection but a continuous, interlinked debate between thinkers who have become giants of twentieth-century intellectual history.
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每一封通信都是一篇迷你辩证法,都是一场对笔(基)友才智锋利而深情的较量。也不乏老式精英的含沙射影党同伐异 其中收获最大的是Adorno部分
评分Good edition on some famous debate about the twentieth-century art on the relationship between aesthetics, ethics and politics.
评分这本书居然可以被找到!政治课读本。 Brecht男神。
评分本书由西马主要人物之间的四个“论战”构成,plus詹姆逊的概括性总结。从布洛赫和卢卡奇关于文学作品中expressionism与realism之争开始,到后期阿多诺对卢卡奇马克思主义中未消泯的观念主义的批判为止。正如詹姆逊所总结,这场争论的内生性的推动力(internal dynamism)使得其超越表现主义的本原现象...etc. 文章由不同的译者完成,文本的流畅程度参差不齐。顺便值得一提的是各争论的序言很全面透彻,不过书中没有标明作者(大概也是詹姆逊着笔吧)。
评分围绕realism与modernism的论战,完全几人相互攻讦基情史,本雅明:今天我又去了布莱希特家……今天我与布莱希特在xx见面,阿多诺对本雅明:除了我没人理解你……
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