Craig Clunas is Senior Lecturer in the History of Art at the University of Sussex. He has published extensively on the culture of the Ming period. His books include Fruitful Sites: Garden Culture in Ming Dynasty China; Art in China; and Superfluous Things: Material Culture and Social Status in Early Modern China.
发表于2024-05-13
Pictures and Visuality in Early Modern China 2024 pdf epub mobi 电子书
翻了下北大版,立马被其中插图吸引。好东西都在国外,看多了自然就能写了,不需要深奥,但印象深刻,这就是得一手资源的无敌优势,也是国外sinology更强于我们的原因。看看这个被掏空了的“中国“,剩下的只有不能写的现实题材可写。翻了下北大版,立马被其中插图吸引。好东西...
评分谈起明朝历史,总能引起后人的满腹狐疑。张岱在《石匮书序》里如是讽刺明史——“有明一代,国史失诬,家史失谀,野史失臆,故以二百八十二年总成一个诬妄世界。”既然正史不可靠,于是,研究者自然就要另辟蹊径,纷纷跑去《金瓶梅》和“三言二拍”里挖掘明代的饮食、服饰等文...
评分This book address some basic questions about Chinese visual arts. A basic proposition is that from 1400-1700 there was a transition in painting and other visual arts from referential to self-referential, e.g. from mimesis to symbolic. This book defies sim...
评分谈起明朝历史,总能引起后人的满腹狐疑。张岱在《石匮书序》里如是讽刺明史——“有明一代,国史失诬,家史失谀,野史失臆,故以二百八十二年总成一个诬妄世界。”既然正史不可靠,于是,研究者自然就要另辟蹊径,纷纷跑去《金瓶梅》和“三言二拍”里挖掘明代的饮食、服饰等文...
图书标签: 艺术史 柯律格 Craig_Clunas 海外中国研究 中国 艺术 早期现代中国的图像与视觉文化 新文化史
Pictures and Visuality in Early Modern China is not simply a survey of sixteenth-century images, but rather, a thorough and thoughtful examination of visual culture in China's Ming Dynasty, one that considers images wherever they appeared—not only paintings, but also illustrated books, maps, ceramic bowls, lacquered boxes, painted fans, and even clothing and tomb pictures.
Clunas's theory of visuality incorporates not only the image and the object upon which it is placed but also the culture which produced and purchased it. Economic changes in sixteenth-century China—the rapid expansion of trade routes and a growing class of consumers—are thus intricately bound up with the evolution of the image itself. Pictures and Visuality in Early Modern China will be a touchstone for students of Chinese history, art, and culture.
wow!很期待
评分print culture那一章用本雅明的理论有些见地
评分第四章对于几个很重要却被忽略的关键词的来源进行了很精到的对比分析,“图”、“画”、“读”、“看”、“观”、“赏”。。
评分写得有趣的一本书。像明代印刷时代下书籍的普及与宗教等公共建筑壁画之间的竞争,就是一种很好理解却又很难理清楚但被作者大致上理个清楚的一章。下文,对于《三才图会》中“天、地、人”三大主题的表现方式的讨论,对理解明代人的视觉文化,很有启发:“天”的表达,反而越来越不具像了,地的表达则跟时代的商品化、地图、收藏品的制作有关。。。。第5章讨论的是“木版印刷时代的艺术”,外加一章专讲情色画。
评分写得有趣的一本书。像明代印刷时代下书籍的普及与宗教等公共建筑壁画之间的竞争,就是一种很好理解却又很难理清楚但被作者大致上理个清楚的一章。下文,对于《三才图会》中“天、地、人”三大主题的表现方式的讨论,对理解明代人的视觉文化,很有启发:“天”的表达,反而越来越不具像了,地的表达则跟时代的商品化、地图、收藏品的制作有关。。。。第5章讨论的是“木版印刷时代的艺术”,外加一章专讲情色画。
Pictures and Visuality in Early Modern China 2024 pdf epub mobi 电子书