Craig Clunas is Senior Lecturer in the History of Art at the University of Sussex. He has published extensively on the culture of the Ming period. His books include Fruitful Sites: Garden Culture in Ming Dynasty China; Art in China; and Superfluous Things: Material Culture and Social Status in Early Modern China.
发表于2025-02-01
Pictures and Visuality in Early Modern China 2025 pdf epub mobi 电子书
This book address some basic questions about Chinese visual arts. A basic proposition is that from 1400-1700 there was a transition in painting and other visual arts from referential to self-referential, e.g. from mimesis to symbolic. This book defies sim...
评分 评分纯美术史,绘画史看多了,有时免不了障目。Craig Clunas通过图像学的角度来阐释明朝艺术之大环境,且不说史料的丰富,单就这个角度也是让后来做艺术史的人有所启发。Richard Vinogard 在“stones from Other Mountains: Chinese Painting Studies in Postwar America"一文中就...
评分艺术是否定社会性的主要场域之一 ——(法)布迪厄 本来买读此书的目的是为了了解中国物质文明所承载的美学意韵,想要的美学意韵没有找到,却意外发现了元朝解除的政治家与文人画大师赵孟頫也是“春宫画”巨匠,可以说中国的...
评分纯美术史,绘画史看多了,有时免不了障目。Craig Clunas通过图像学的角度来阐释明朝艺术之大环境,且不说史料的丰富,单就这个角度也是让后来做艺术史的人有所启发。Richard Vinogard 在“stones from Other Mountains: Chinese Painting Studies in Postwar America"一文中就...
图书标签: 艺术史 柯律格 Craig_Clunas 海外中国研究 中国 艺术 早期现代中国的图像与视觉文化 新文化史
Pictures and Visuality in Early Modern China is not simply a survey of sixteenth-century images, but rather, a thorough and thoughtful examination of visual culture in China's Ming Dynasty, one that considers images wherever they appeared—not only paintings, but also illustrated books, maps, ceramic bowls, lacquered boxes, painted fans, and even clothing and tomb pictures.
Clunas's theory of visuality incorporates not only the image and the object upon which it is placed but also the culture which produced and purchased it. Economic changes in sixteenth-century China—the rapid expansion of trade routes and a growing class of consumers—are thus intricately bound up with the evolution of the image itself. Pictures and Visuality in Early Modern China will be a touchstone for students of Chinese history, art, and culture.
第四章对于几个很重要却被忽略的关键词的来源进行了很精到的对比分析,“图”、“画”、“读”、“看”、“观”、“赏”。。
评分wow!很期待
评分由此书起,柯律格不再立足于某一个特定的材料或者特定的艺术家来看明代,而是撒下一张巨大的网,经纬纵横穿插于多种媒材,多个阶层,多种观看模式和多种话语之间。如此之野心需要一个精心设计的结构或者是坚实的理论,甚至是一种信念在背后作为支持。由一种后见之明看来,这种对明代的复杂性的看法是显而易见的,一种fine art的确立必然是一种垄断性话语和实践的构建的产物,而由此,艺术史则进入了视觉文化和物质文化研究的范畴,研究的重心也从图像和审美要素进入社会学和人类学。
评分print culture那一章用本雅明的理论有些见地
评分第五章,感受不到作者精密的论述,关于《顾氏画谱》的图绘,一方面没有了印章和题款导致了失去了本雅明意义上的historical testimony,另一方面这本身确实是想象性作品的再复制,然后便对西方之于现代性的理论提出一个具有东方性的质疑,其实这其中的好多层次都没有说清楚的,只是蜻蜓点水,倍感迷惑。
Pictures and Visuality in Early Modern China 2025 pdf epub mobi 电子书