Craig Clunas is Senior Lecturer in the History of Art at the University of Sussex. He has published extensively on the culture of the Ming period. His books include Fruitful Sites: Garden Culture in Ming Dynasty China; Art in China; and Superfluous Things: Material Culture and Social Status in Early Modern China.
Pictures and Visuality in Early Modern China is not simply a survey of sixteenth-century images, but rather, a thorough and thoughtful examination of visual culture in China's Ming Dynasty, one that considers images wherever they appeared—not only paintings, but also illustrated books, maps, ceramic bowls, lacquered boxes, painted fans, and even clothing and tomb pictures.
Clunas's theory of visuality incorporates not only the image and the object upon which it is placed but also the culture which produced and purchased it. Economic changes in sixteenth-century China—the rapid expansion of trade routes and a growing class of consumers—are thus intricately bound up with the evolution of the image itself. Pictures and Visuality in Early Modern China will be a touchstone for students of Chinese history, art, and culture.
Craig《明代的圖像與視覺性》預設的讀者並非我們這樣的中國人,而是那些在70-80年代對於中國藝術並不瞭解或者西方中心主義的藝術史傢。我並不清楚類似的偏見有多大,但是當時中國美術史研究的重鎮因為Cahill而在美國,並不在英國。所以瞭解瞭這個背景,我也就能容忍本書的第四...
評分新加坡亞洲文明博物館的中國展廳,擠滿瞭黃皮膚的小學生。女老師的漢語很標準,飄到耳中一句,卻是《論語》裏的“父母在,不遠遊”。我仰頭一望,是瞭,這裏有兩軸碩大的祖先畫像,一男一女,麵容端肅,正襟危坐,袍服鮮明。本該是祠堂裏的物事,具有儀式化的功能,如今被從語...
評分翻瞭下北大版,立馬被其中插圖吸引。好東西都在國外,看多瞭自然就能寫瞭,不需要深奧,但印象深刻,這就是得一手資源的無敵優勢,也是國外sinology更強於我們的原因。看看這個被掏空瞭的“中國“,剩下的隻有不能寫的現實題材可寫。翻瞭下北大版,立馬被其中插圖吸引。好東西...
評分藝術是否定社會性的主要場域之一 ——(法)布迪厄 本來買讀此書的目的是為瞭瞭解中國物質文明所承載的美學意韻,想要的美學意韻沒有找到,卻意外發現瞭元朝解除的政治傢與文人畫大師趙孟頫也是“春宮畫”巨匠,可以說中國的...
不太記得瞭,印象就讀瞭關於“觀”和“讀”概念的兩章很有趣
评分讀瞭第四章,和Prof討論的時候感覺還是有些問題的
评分講三纔圖會那一節,尤其是“地”那一節和上學期寫早期中國地圖的東西都串上瞭,感覺很高興。全書結論裏麵關於圖(picture)與畫(painting)的complementary bipolarity(這詞是引用浦安迪的說法)關係很有啓發。
评分第四章對於幾個很重要卻被忽略的關鍵詞的來源進行瞭很精到的對比分析,“圖”、“畫”、“讀”、“看”、“觀”、“賞”。。
评分wow!很期待
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