Kobo Abe was born in Tokyo in 1924 and grew up in Mukden, Manchuria, during World War II. In 1948 he received a medical degree from Tokyo Imperial University, but he never practiced medicine. Considered one of Japan’s foremost novelists, his most famous works include The Face of Another (1964), The Box Man (1973), Secret Rendezvous (1977), and The Ark Sakura (1984). All of Abe’s books have been bestsellers in Japan and he was the recipient of numerous literary awards and prizes, including the Yomiuri Prize for The Woman in the Dunes in 1962. He collaborated with director Hiroshi Teshigahara on film adaptations of four of his novels—including The Woman in the Dunes—and was also widely known as a dramatist. He died in 1993.
发表于2024-06-02
The Face of Another 2024 pdf epub mobi 电子书
“无论怎么想,在人这一存在之中,脸都不可能占据那么大的比重。人的重量应该最终依据其工作的内来加以衡定。这是一个即使与大脑皮质有某种关联,也绝对没有脸插嘴的余地的世界。倘若因为脸的丧失,而在天平的刻度上出现了显著的变化,那么,也无非是因为它本来就空洞无物的除...
评分“无论怎么想,在人这一存在之中,脸都不可能占据那么大的比重。人的重量应该最终依据其工作的内来加以衡定。这是一个即使与大脑皮质有某种关联,也绝对没有脸插嘴的余地的世界。倘若因为脸的丧失,而在天平的刻度上出现了显著的变化,那么,也无非是因为它本来就空洞无物的除...
评分日本“新浪潮”导演敕使河原宏曾将安部公房的《砂女》《他人的脸》《燃烧的地图》等小说改编成电影,上映后广受好评。安部公房的文学渊源是西方现代主义,人的异化、身份的迷失、反抗和妥协、内心的焦灼和苦闷是其作品的关键词。《他人的脸》电影链接:http://t.cn/zW2uVzf
评分图书标签: 日本文学 日本 安部公房
Like an elegantly chilling postscript to The Metamorphosis , this classic of postwar Japanese literature describes a bizarre physical transformation that exposes the duplicities of an entire world. The narrator is a scientist hideously deformed in a laboratory accident–a man who has lost his face and, with it, his connection to other people. Even his wife is now repulsed by him.
His only entry back into the world is to create a mask so perfect as to be undetectable. But soon he finds that such a mask is more than a disguise: it is an alternate self–a self that is capable of anything. A remorseless meditation on nature, identity and the social contract, The Face of Another is an intellectual horror story of the highest order.
对照电影改编看很有趣,因为原著是第一人称的手记写法,男主角在叙述中比电影版某种程度上更可同情:熟悉的叙诡。安部的点非常密集:identity, social constructed prejudice, marriage and love, power dynamic, etc. 然而越到最后越看出了讲述的无力,主角也自是知道的,所以最后才会写, "So nothing will ever be written down again. Perhaps the act of writing is necessary only when nothing happens."
评分对照电影改编看很有趣,因为原著是第一人称的手记写法,男主角在叙述中比电影版某种程度上更可同情:熟悉的叙诡。安部的点非常密集:identity, social constructed prejudice, marriage and love, power dynamic, etc. 然而越到最后越看出了讲述的无力,主角也自是知道的,所以最后才会写, "So nothing will ever be written down again. Perhaps the act of writing is necessary only when nothing happens."
评分对照电影改编看很有趣,因为原著是第一人称的手记写法,男主角在叙述中比电影版某种程度上更可同情:熟悉的叙诡。安部的点非常密集:identity, social constructed prejudice, marriage and love, power dynamic, etc. 然而越到最后越看出了讲述的无力,主角也自是知道的,所以最后才会写, "So nothing will ever be written down again. Perhaps the act of writing is necessary only when nothing happens."
评分wow英文版翻译的真是相当惊艳了 比较喜欢前1/3 就像在这个人的脑子里游了一下泳一样
评分对照电影改编看很有趣,因为原著是第一人称的手记写法,男主角在叙述中比电影版某种程度上更可同情:熟悉的叙诡。安部的点非常密集:identity, social constructed prejudice, marriage and love, power dynamic, etc. 然而越到最后越看出了讲述的无力,主角也自是知道的,所以最后才会写, "So nothing will ever be written down again. Perhaps the act of writing is necessary only when nothing happens."
The Face of Another 2024 pdf epub mobi 电子书