Katie Roiphe is the author of several books, including The Morning After: Sex, Fear, and Feminism; Uncommon Arrangements: Seven Marriages; In Praise of Messy Lives: Essays; and a novel, Still She Haunts Me. Her essays and articles have appeared in The New York Times, The Washington Post, The New Yorker, The Paris Review, The Wall Street Journal, Financial Times, Harper’s, Vogue, Esquire, Slate, and Tin House. She has a Ph.D. in literature from Princeton University and is the director of the Cultural Reporting and Criticism program at New York University. She lives in Brooklyn.
发表于2024-11-21
The Violet Hour 2024 pdf epub mobi 电子书
死亡是一件需要严肃思考的事情。 这句陈述看上去是如此显而易见、如此不言自明,以至于我们几乎忘记了自己是不是曾经认真思考过死亡。 作者凯蒂·洛芙在序言里引了弗洛伊德的话: 想象我们自己的死,真是不可能的;无论何时,当我们试图这样做的时候,我们可以察觉,自己实际上...
评分 评分可能是因为没有连贯阅读的原因,前面一种笼罩在阅读本书的情绪,被间隔的两天打断。已经想不起来,中间有部分印象深重的沉浸体验。只记得最开始的苏珊桑塔格印象深刻,也不知道是不是首因效应。苏珊桑塔格对死亡的永不停止的战斗,弗洛伊德要保持清醒死亡的控制力,厄普代克、...
评分死亡是一件需要严肃思考的事情。 这句陈述看上去是如此显而易见、如此不言自明,以至于我们几乎忘记了自己是不是曾经认真思考过死亡。 作者凯蒂·洛芙在序言里引了弗洛伊德的话: 想象我们自己的死,真是不可能的;无论何时,当我们试图这样做的时候,我们可以察觉,自己实际上...
评分图书标签: 传记 非虚构 死亡 Mortality 美国 看书评 卧云 关于书的书
From one of our most perceptive and provocative voices comes a deeply researched account of the last days of Susan Sontag, Sigmund Freud, John Updike, Dylan Thomas, Maurice Sendak, and James Salter—an arresting and wholly original meditation on mortality.
In The Violet Hour, Katie Roiphe takes an unexpected and liberating approach to the most unavoidable of subjects. She investigates the last days of six great thinkers, writers, and artists as they come to terms with the reality of approaching death, or what T. S. Eliot called “the evening hour that strives Homeward, and brings the sailor home from sea.”
Roiphe draws on her own extraordinary research and access to the family, friends, and caretakers of her subjects. Here is Susan Sontag, the consummate public intellectual, who finds her commitment to rational thinking tested during her third bout with cancer. Roiphe takes us to the hospital room where, after receiving the worst possible diagnosis, seventy-six-year-old John Updike begins writing a poem. She vividly re-creates the fortnight of almost suicidal excess that culminated in Dylan Thomas’s fatal collapse at the Chelsea Hotel. She gives us a bracing portrait of Sigmund Freud fleeing Nazi-occupied Vienna only to continue in his London exile the compulsive cigar smoking that he knows will hasten his decline. And she shows us how Maurice Sendak’s beloved books for children are infused with his lifelong obsession with death, if you know where to look.
The Violet Hour is a book filled with intimate and surprising revelations. In the final acts of each of these creative geniuses are examples of courage, passion, self-delusion, pointless suffering, and superb devotion. There are also moments of sublime insight and understanding where the mind creates its own comfort. As the author writes, “If it’s nearly impossible to capture the approach of death in words, who would have the most hope of doing it?” By bringing these great writers’ final days to urgent, unsentimental life, Katie Roiphe helps us to look boldly in the face of death and be less afraid.
Praise for The Violet Hour
“A beautiful book . . . The intensity of these passages—the depth of research, the acute sensitivity for declarative moments—is deeply beguiling.”—The New York Times Book Review
“Profound, poetic and—yes—comforting.”—People
“Unconventional, engaging . . . [The Violet Hour] is at once scholarly, literary, juicy—and unabashedly personal.”—Los Angeles Times
“Enveloping . . . I read it in bed, at the kitchen table, while walking down the street. . . . ‘What normal person wants to blunder into this hushed and sacred space?’ she asks. But the answer is all of us, and Ms. Roiphe does it with grace.”—Jennifer Senior, The New York Times
“A beautiful and provocative meditation on mortality.”—Minneapolis Star Tribune
“A tender yet penetrating look at the final days . . . Roiphe has always seemed to me a writer to envy. No matter what the occasion, she can be counted on to marry ferocity and erudition in ways that nearly always make her interesting.”—The Wall Street Journal
“Here is a critic in supreme control of her gifts, whose gift to us is the observant vigor that refuses to flinch before the Reaper. . . . She knows that true criticism does not bother with the mollification of delicate sensibilities, only with the intellect as it roils and rollicks through language.”—William Giraldi, The New Republic
看了狄兰托马斯一章 真是难看……决定扔书了……就……作者的强项其实是写评论……而不是叙事性文章……更mean一点,就写成这样,让人怀疑伊如今的声名,性别政治的红利远多于才华的回馈。题目是好题目。
评分不知道是作者写的太差还是商业气息太重(偏向后者),如果真是这样这本书就没有必要存在
评分不知道是作者写的太差还是商业气息太重(偏向后者),如果真是这样这本书就没有必要存在
评分不知道是作者写的太差还是商业气息太重(偏向后者),如果真是这样这本书就没有必要存在
评分看了狄兰托马斯一章 真是难看……决定扔书了……就……作者的强项其实是写评论……而不是叙事性文章……更mean一点,就写成这样,让人怀疑伊如今的声名,性别政治的红利远多于才华的回馈。题目是好题目。
The Violet Hour 2024 pdf epub mobi 电子书