Pang Laikwan is a Professor of Cultural Studies at the Chinese University of Hong Kong, and author of Creativity and Its Discontents.
发表于2024-11-21
The Art of Cloning 2024 pdf epub mobi 电子书
图书标签: 文化研究 海外中国研究 文革 彭丽君 历史 香港 社会学 视觉文化
Cultural production under Mao, and how artists and thinkers found autonomy in a culture of conformity
In the 1950s, a French journalist joked that the Chinese were “blue ants under the red flag,” dressing identically and even moving in concert like robots. When the Cultural Revolution officially began, this uniformity seemed to extend to the mind. From the outside, China had become a monotonous world, a place of endless repetition and imitation, but a closer look reveals a range of cultural experiences, which also provided individuals with an obscure sense of freedom.
In The Art of Cloning, Pang Laikwan examines this period in Chinese history when ordinary citizens read widely, traveled extensively through the country, and engaged in a range of cultural and artistic activities. The freedom they experienced, argues Pang, differs from the freedom, under Western capitalism, to express individuality through a range of consumer products. But it was far from boring and was possessed of its own kind of diversity.
Reviews
“A thoughtful contribution to the writing of a new and nuanced cultural history of the Cultural Revolution. Pang’s work brings a fresh optic to the question of how Chinese people lived, felt and made art in a fraught age of revolution.”
– Andrew Jones, author of Yellow Music: Media Culture and Colonial Modernity in the Chinese Jazz Age
“Pang Laikwan’s meticulous research draws the reader into a world in which this art of copying, of making models and of typifications framed the cultural and political realm and then spread across the social landscape to fashion life itself. Offering new and exciting insights based upon impeccable research, this is one book about the Cultural Revolution that should not be missed.”
– Michael Dutton, coauthor of Beijing Time
“A major intervention into a fraught field. Luminously opening new and old channels of inquiry, Pang forces a reconsideration of the processes and politics of cultural production in China’s Cultural Revolutionary decade.”
– Rebecca Karl, author of Mao Zedong and China in the Twentieth-Century World: A Concise History
未找到中文版,看的英文版。很有意思的选题,很有趣的角度。材料的选取与运用上有些问题,但分析还是不错的,尤其是作者有着较为明确的态度,对现实也有良好的判断。
评分中文译版不能被标签,只能借英文原版條目一用。理論性太强,倒是對粵劇和瓷器的介紹讓人頗受教益。
评分作者對藝術文化似乎有一個開放、自由空間的前設,由此在最壓迫的年代尋找藝術的可能性。但這前設很可能是西方文化語境,而難以對應中國現代政治運動中的藝術操作。
评分从主体的型塑、社会性的模仿和宣传三个观念探讨CR期间的文化生产。个人活动并不屈服于集体主义的召唤,而个人的能动性能够时刻挑战官方既定的认知思路与范式。各类繁多材料的整合让整本书读起来非常过瘾,但是可能也就造成了许多地方点到为止。部分内容缺少了深入的探讨。这段过去的历史有太多太多的迷幻色彩,对我们后人来说,不断地触碰底线也是一种“附魅”和尝试“驱魅”的过程。
评分从主体的型塑、社会性的模仿和宣传三个观念探讨CR期间的文化生产。个人活动并不屈服于集体主义的召唤,而个人的能动性能够时刻挑战官方既定的认知思路与范式。各类繁多材料的整合让整本书读起来非常过瘾,但是可能也就造成了许多地方点到为止。部分内容缺少了深入的探讨。这段过去的历史有太多太多的迷幻色彩,对我们后人来说,不断地触碰底线也是一种“附魅”和尝试“驱魅”的过程。
The Art of Cloning 2024 pdf epub mobi 电子书