Pang Laikwan is a Professor of Cultural Studies at the Chinese University of Hong Kong, and author of Creativity and Its Discontents.
发表于2025-04-16
The Art of Cloning 2025 pdf epub mobi 电子书
图书标签: 文化研究 海外中国研究 文革 彭丽君 历史 香港 社会学 视觉文化
Cultural production under Mao, and how artists and thinkers found autonomy in a culture of conformity
In the 1950s, a French journalist joked that the Chinese were “blue ants under the red flag,” dressing identically and even moving in concert like robots. When the Cultural Revolution officially began, this uniformity seemed to extend to the mind. From the outside, China had become a monotonous world, a place of endless repetition and imitation, but a closer look reveals a range of cultural experiences, which also provided individuals with an obscure sense of freedom.
In The Art of Cloning, Pang Laikwan examines this period in Chinese history when ordinary citizens read widely, traveled extensively through the country, and engaged in a range of cultural and artistic activities. The freedom they experienced, argues Pang, differs from the freedom, under Western capitalism, to express individuality through a range of consumer products. But it was far from boring and was possessed of its own kind of diversity.
Reviews
“A thoughtful contribution to the writing of a new and nuanced cultural history of the Cultural Revolution. Pang’s work brings a fresh optic to the question of how Chinese people lived, felt and made art in a fraught age of revolution.”
– Andrew Jones, author of Yellow Music: Media Culture and Colonial Modernity in the Chinese Jazz Age
“Pang Laikwan’s meticulous research draws the reader into a world in which this art of copying, of making models and of typifications framed the cultural and political realm and then spread across the social landscape to fashion life itself. Offering new and exciting insights based upon impeccable research, this is one book about the Cultural Revolution that should not be missed.”
– Michael Dutton, coauthor of Beijing Time
“A major intervention into a fraught field. Luminously opening new and old channels of inquiry, Pang forces a reconsideration of the processes and politics of cultural production in China’s Cultural Revolutionary decade.”
– Rebecca Karl, author of Mao Zedong and China in the Twentieth-Century World: A Concise History
从主体的型塑、社会性的模仿和宣传三个观念探讨CR期间的文化生产。个人活动并不屈服于集体主义的召唤,而个人的能动性能够时刻挑战官方既定的认知思路与范式。各类繁多材料的整合让整本书读起来非常过瘾,但是可能也就造成了许多地方点到为止。部分内容缺少了深入的探讨。这段过去的历史有太多太多的迷幻色彩,对我们后人来说,不断地触碰底线也是一种“附魅”和尝试“驱魅”的过程。
评分赤脚医生、革命芭蕾舞这两章还不错,有点想看作者进一步分析导言里提到的作家的阅读体验。但核心的理论与论证读起来没什么意思,结论感觉也像没说出什么所以然。人毕竟不是没有情感和创造力的机器,如果愿意,动物之森不也可以化身冲塔利器么?
评分中文版被禁 意味著否定今天和過去的任何聯繫 文革表面極之同質 但也仍有足夠的空間讓個體去表現自己的特殊性格 而所謂的個體性又非常相似 個體性和集體性之間的微妙辯證是引人好奇的地方
评分借标中文版,不能忘记那段历史!
评分借标中译版。作者认为文革的根本悖论在于它既要求个体将自我塑造为革命的主体,又妄图将个体统摄在威权意志下,于是社会的泛政治化同个体的去政治化悖谬地并存。在这悖论的裂口,作者试图考掘文化和艺术生产的异域,寻找个人和集体不为官方所传唤的审美飞地。这可以说是文革的另面,但作者似乎也想将其理解为文化革命的本意。材料和理论穿插的节奏很明快,行文/译笔也很干净。在序言中,作者说“面对这样暴烈的历史,我只想写一本温柔一点的书”,当无望于轻盈,温柔或许的确是一种适宜的姿态。
The Art of Cloning 2025 pdf epub mobi 电子书