Often regarded as the greatest German poet of the twentieth century, Rainer Maria Rilke (1875-1926) remains one of the most influential figures of European modernism. In this Companion, leading scholars offer informative and thought-provoking essays on his life and social context, his correspondence, all his major collections of poetry including most famously the Duino Elegies and Sonnets to Orpheus, and his seminal novel of Modernist anxiety, The Notebooks of Malte Laurids Brigge. Rilke's critical contexts are explored in detail: his relationship with philosophy and the visual arts, his place within modernism and his relationship to European literature, and his reception in Europe and beyond. With its invaluable guide to further reading and a chronology of Rilke's life and work, this Companion will provide an accessible, engaging account of this extraordinary poet whose legacy looms so large today.
不愧是CC!前半部分作品简介简明扼要,复习了Orpheus/深化了对其余作品(尤其中期物诗)的认识。后半部分contextualization提供了Rilke study的重要坐标:对诗人modernism的分期、novelistic/visual/linguistic Sehen、philosophical criticism (Heidegger/Blanchot)。最后reception一章里奥登可太有趣了。大概因为各章节的作者真的对诗人怀有爱意,虽然啃得慢但读得舒畅且受益匪浅,有种找回初心的感觉。
评分不愧是CC!前半部分作品简介简明扼要,复习了Orpheus/深化了对其余作品(尤其中期物诗)的认识。后半部分contextualization提供了Rilke study的重要坐标:对诗人modernism的分期、novelistic/visual/linguistic Sehen、philosophical criticism (Heidegger/Blanchot)。最后reception一章里奥登可太有趣了。大概因为各章节的作者真的对诗人怀有爱意,虽然啃得慢但读得舒畅且受益匪浅,有种找回初心的感觉。
评分不愧是CC!前半部分作品简介简明扼要,复习了Orpheus/深化了对其余作品(尤其中期物诗)的认识。后半部分contextualization提供了Rilke study的重要坐标:对诗人modernism的分期、novelistic/visual/linguistic Sehen、philosophical criticism (Heidegger/Blanchot)。最后reception一章里奥登可太有趣了。大概因为各章节的作者真的对诗人怀有爱意,虽然啃得慢但读得舒畅且受益匪浅,有种找回初心的感觉。
评分不愧是CC!前半部分作品简介简明扼要,复习了Orpheus/深化了对其余作品(尤其中期物诗)的认识。后半部分contextualization提供了Rilke study的重要坐标:对诗人modernism的分期、novelistic/visual/linguistic Sehen、philosophical criticism (Heidegger/Blanchot)。最后reception一章里奥登可太有趣了。大概因为各章节的作者真的对诗人怀有爱意,虽然啃得慢但读得舒畅且受益匪浅,有种找回初心的感觉。
评分不愧是CC!前半部分作品简介简明扼要,复习了Orpheus/深化了对其余作品(尤其中期物诗)的认识。后半部分contextualization提供了Rilke study的重要坐标:对诗人modernism的分期、novelistic/visual/linguistic Sehen、philosophical criticism (Heidegger/Blanchot)。最后reception一章里奥登可太有趣了。大概因为各章节的作者真的对诗人怀有爱意,虽然啃得慢但读得舒畅且受益匪浅,有种找回初心的感觉。
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