作者簡介
剋萊兒.畢莎普 Claire Bishop
紐約市立大學藝術史研究所博士班副教授。著有《裝置藝術》(Installation Art: A Critical History),是《參與》(Participation)雜誌主編。2008年,她共同策劃在倫敦當代藝術中心舉辦的「Double Agent」展,她也持續在Artforum、October、e-flux等雜誌發錶論文。
譯者簡介
林宏濤
颱灣大學哲學碩士,德國弗來堡大學博士研究。譯作有:《等待哥倫布》、《文明的哲學》、《我的名字叫耶穌》、《神子》、《與改變對話》、《上帝的語言》、《鈴木大拙禪學入門》、《菁英的反叛》、《神話學辭典》、《啟濛的辯證》、《眾生的導師:佛陀》、《人的形象與神的形象》、《神在人間》、《隱藏之泉》、《法學導論》、《美學理論》、《愛在流行》、《南十字星風箏線》、《體會死亡》、《詮釋之衝突》、《藝術想怎樣?》等書。
For over a decade, conceptual and performance art has been dominated by participatory art. Its champions, such as French curator Nicolas Bourriaud (who invented the term "relational aesthetics" to describe it) and American art historian Grant Kester, believe that by encouraging an audience to join in, the artist can promote new emancipatory social relations. Artificial Hells is the first historical and theoretical overview of socially engaged participatory art. The book follows the trajectory of twentieth-century art and examines key moments in the development of the participatory aesthetic, in both Europe and America. This itinerary takes in Futurism, Dada, Situationism, Czechoslovakian Happenings, and Argentinean Conceptualism, and concludes with contemporary artists such as Thomas Hirschhorn, Tania Bruguera and Jeremy Deller. Since her controversial essay in Artforum in 2006, Claire Bishop has been one of the few to expose the political and aesthetic limitations of this work. In Artificial Hells she not only scrutinizes the claims for democracy and emancipation that the artists and critics make for the work, but also questions the turn to ethical (rather than artistic) criteria invited by such participatory and collaborative art.
發表於2024-11-06
Artificial Hells 2024 pdf epub mobi 電子書 下載
林宏璋:“畢莎普以實證主義的當代藝術史立場,從觀眾參與藝術發展,以時序及地域書寫的方式,爬梳瞭曆史前衛主義到當代藝術中如何(被)觀看的網絡,以及參與形式所産生的觀眾構成。” 格羅伊思:“當地藝術傢的好意經常是鋪瞭一條通往地獄的路。畢莎普讓我們愛上地獄,條件是...
評分Bishop, Claire. "Introduction." In Artificial Hells: Participatory Art and the Politics of Spectatorship, London/New York: Verso Books, 2012, p.1-10. In the introduction of Artificial Hells: Participatory Art and the Politics of Spectatorship, Claire Bish...
評分Bishop, Claire. "Introduction." In Artificial Hells: Participatory Art and the Politics of Spectatorship, London/New York: Verso Books, 2012, p.1-10. In the introduction of Artificial Hells: Participatory Art and the Politics of Spectatorship, Claire Bish...
評分Bishop, Claire. "Introduction." In Artificial Hells: Participatory Art and the Politics of Spectatorship, London/New York: Verso Books, 2012, p.1-10. In the introduction of Artificial Hells: Participatory Art and the Politics of Spectatorship, Claire Bish...
評分Bishop, Claire. "Introduction." In Artificial Hells: Participatory Art and the Politics of Spectatorship, London/New York: Verso Books, 2012, p.1-10. In the introduction of Artificial Hells: Participatory Art and the Politics of Spectatorship, Claire Bish...
圖書標籤: 藝術 PerformanceArt ParticipatoryArt 參與藝術 criticism 藝術理論 art 藝術市場
因為真的想去試圖有機會寫齣一個計畫而隨便從州圖搜齣來的關於參與式藝術的書,論述的觀點我覺得並不是太複雜或者說很難想。但背後紮實的案例梳理,爬梳這類藝術的發展脈絡,會provoke讀者,閱讀的過程本身倒像參與式的一個作品(笑。對我來說更像入門瞭解的工具書吧。
評分Clair這個女人說話特彆帶勁。一個事情幾句話就給你說清楚,沒有廢話。這本書封麵上的這個art project,實在是我最喜歡的一個。
評分看曆史和時間綫彆看critique.
評分claire bishop rocks
評分因為真的想去試圖有機會寫齣一個計畫而隨便從州圖搜齣來的關於參與式藝術的書,論述的觀點我覺得並不是太複雜或者說很難想。但背後紮實的案例梳理,爬梳這類藝術的發展脈絡,會provoke讀者,閱讀的過程本身倒像參與式的一個作品(笑。對我來說更像入門瞭解的工具書吧。
Artificial Hells 2024 pdf epub mobi 電子書 下載