Sir Ernst Hans Josef Gombrich, OM, CBE (30 March 1909 – 3 November 2001) was an Austrian-born art historian who became a naturalized British citizen in 1947.[1] He spent most of his working life in the United Kingdom. He is the author of many works of cultural history and art history, including The Story of Art, a book widely regarded as one of the most accessible introductions to the visual arts.
BiographyThe son of Karl Gombrich and Leonie Hock, Gombrich was born in Vienna, Austria-Hungary, into an assimilated bourgeois family of Jewish origin who were part of a sophisticated social and musical milieu. His father was a lawyer and former classmate of Hugo von Hofmannsthal and his mother was distinguished pianist who graduated from the Vienna Conservatoire with the School's Medal of Distinction. At the Conservatoire she was a pupil of, amongst others, Anton Bruckner. However, rather than follow a career as a concert pianist (which would have been difficult to combine with her family life in this period) she became an assistant of Theodor Leschetizky. She also knew Arnold Schoenberg, Gustav Mahler, Hugo Wolf and Johannes Brahms [3]. Rudolf Serkin was a close family friend. Adolf Busch and members of the Busch Quartet regularly met and played in the family home. Throughout his life Gombrich maintained a deep love and knowledge of classical music. He was a competent cellist and in later life at home in London regularly played the chamber music of Haydn, Mozart, Schubert, Beethoven and others with his wife and elder sister Dea Forsdyke, a concert violinist.
Gombrich was educated at Theresianum Secondary School and at Vienna University before coming to Britain in 1936, where he took up a post as a research assistant at the Warburg Institute, University of London. In 1936, he married Ilse Heller, a pupil of his mother, and herself an accomplished pianist. Their only child, Richard, went on to become a noted Indologist and scholar of Buddhism, acting as the Boden Professor of Sanskrit at Oxford University from 1976 to 2004.
During World War II, Gombrich worked for the BBC World Service, monitoring German radio broadcasts. When in 1945 an upcoming announcement was prefaced by a Bruckner symphony written for Wagner's death, Gombrich guessed correctly that Hitler was dead and promptly broke the news to Churchill. He returned to the Warburg Institute in November 1945, where he became Senior Research Fellow (1946), Lecturer (1948), Reader (1954), and eventually Professor of the History of the Classical Tradition and director of the institute (1959–72). He was elected a Fellow of the British Academy in 1960, made CBE in 1966, knighted in 1972, and appointed a member of the Order of Merit in 1988. He was the recipient of numerous additional honours, including Goethe Prize 1994 and Balzan Prize in 1985 for History of Western Art.
Gombrich was close to a number of Austrian émigrés who fled to the West prior to the Anschluss, among them Karl Popper (to whom he was especially close), Friedrich Hayek and Max Perutz. He was instrumental in bringing to publication Popper's magnum opus The Open Society and Its Enemies. Each had known the other only fleetingly in Vienna, as Gombrich's father served his law apprenticeship with Popper's father. They became lifelong friends in exile.
[edit] WorkGombrich's first book, and the only one he did not write in English, was Eine kurze Weltgeschichte für junge Leser (A short history of the world for young readers), published in Germany in 1936. It was very popular and translated into several languages, but was not available in English until 2005, when a translation of a revised edition was published as A Little History of the World. He did most of this translation and revision himself, and it was completed by his long-time assistant and secretary Caroline Mustill and his granddaughter Leonie Gombrich after his death [4].
The Story of Art, first published in 1950 and currently in its 16th edition, is widely regarded as one of the most accessible introductions to the history of visual arts. Originally intended for adolescent readers, it has sold millions of copies and been translated into more than 30 languages.
Other major publications include Art and Illusion (1960), regarded by critics to be his most influential and far-reaching work, and the essays gathered in Meditations on a Hobby Horse (1963) and The Image and the Eye (1981). Other important books are Aby Warburg: An Intellectual Biography (1970), The Sense of Order (1979) and The Preference for the Primitive (posthumously in 2002). The complete list of his publications, E.H. Gombrich: A Bibliography, was published by Joseph Burney Trapp in 2000.
The most famous and popular book on art ever published, this quintessential "introduction to art" has been a worldwide bestseller for over four decades. In this completely redesigned 16th edition, Gombrich, a true master, combines knowledge and wisdom with a unique gift for communicating his deep love of the subject. 440 illustrations, 376 in color.
發表於2025-03-03
The Story of Art 2025 pdf epub mobi 電子書 下載
貢布裏希在《藝術的故事》導論中,第一句話就說:“實際上沒有藝術這種東西,隻有藝術傢而已。”是否可以演繹一下:在産品設計領域,沒有設計師這種東西,隻有設計而已。 【原文,含圖,歡迎交流:http://www.naowan.com/archives/2009/06/12/507】 最讓設計師崩潰的事情,是...
評分前段時間想看看關於藝術方麵的書,因為不是專業人士所以希望能找一本圖文並茂,描述通俗易懂但又不是很低幼的書,這本藝術的故事很對我的胃口。 在買書之前我看瞭前幾年大傢對這本書的評論,包括桃子依舊與大傢互動的一些迴復,看得齣大傢對這本書的感情...... 我還去瞭書店看...
評分讀藝術史如走馬燈,如若隻是一幅幅經典、一個偉大藝術傢的奇聞異事,則讀後心頭隻如流水拂過,瞭無痕跡,基本上沒什麼印象瞭。但是這本《藝術的故事》則不是如此,當我閤上書頁,細細迴想,一條模模糊糊的藝術發展主綫隱隱在腦中蜿蜒起伏,藝術傢的故事反倒沒有記住幾個——本...
評分 評分愛好美麗的題材也愛好平淡的。 首先理解手法,然後纔是感情。 逼真可美,粗略也可美。 不要隨意指責畫傢畫得不正確。 摒棄陋習和偏見,接受新畫法。 藝術創作都有特定場閤和目的。 美和觀念曾經不是藝術傢的考慮。 而是努力地追求閤適的平衡。 有一顆赤子之心,捕捉每個暗示,...
圖書標籤: 藝術史 藝術 Gombrich 貢布裏希 art 藝術理論 藝術的故事 history
十年前就該讀瞭。
評分具備一個好的常識性讀物的全部特點,文字淺顯但內容深刻,三觀完整且正。
評分我也沒想到自己能堅持下來。算是我的美術史啓濛瞭。
評分讀瞭快一年瞭,最近買瞭新版本,每天翻幾頁,都是很漲姿勢的~
評分毫無疑問,最喜歡的還是文藝復興時期。
The Story of Art 2025 pdf epub mobi 電子書 下載