居伊·德波于1931年12月28日出生在巴黎。1950年德波开始了与字母主义国际(LI)的交往。1957年字母主义国际与名为包豪斯印象运动国际的艺术家们一起建立了情境主义国际(SI),德波自任该组织的领袖。
1967年德波出版了他的重要著作《景观社会》,他还于1973年制作了《景观社会》的电影版本(德波称自己是导演)。
他阐发了马克思关于商品拜物教的概念,将其应用在当代大众传媒身上。而关于资本 主义社会中生活已经演变成一种景观的分析,可以看作是对马克思早期异化理论的修正。《景观社会》对1968年的学生运动产生了巨大影响。
1994年居伊·德波在Champot, Upper Loire自杀身亡,此时他刚度过自己63岁生日几周时间。
发表于2025-04-03
The Society of the Spectacle 2025 pdf epub mobi 电子书
忽略上面的评价吧,撤销不掉了。。 我没看过这本书。 如果我用这一题目写,我会写被制造出的社会奇景、观看的人类、以及消弭无踪的意义。 现在,图片成为人们阅读的主体,社交网络的发展使得每个人都能轻松地实现自我传播,人类不再处于观看的地位,观看被自己建造出的奇景,...
评分读书报告:现代景观社会的基本结构 一、故事的缘起 过去的两百多年见证了人类社会翻天覆地的变化:比过去的几千年还要大。人口越来越多,知识越来越广,机器越来越强大,信息交流越来越方便,战争越来越残酷,休闲娱乐越来越丰富,未来的风险越来越大。这些变化的速度远...
评分 评分 评分图书标签: guy_debord 社会学 文化研究 situationist Philosophy Sociology GuyDebord media
For the first time, Guy Debord's pivotal work Society of the Spectacle appears in a definitive and authoritative English translation. Originally published in France in 1967, Society of the Spectacle offered a set of radically new propositions about the nature of contemporary capitalism and modern culture. At the same time it was one of the most influential theoretical works for a wide range of political and revolutionary practice in the 1960s. Today, Debord's work continues to be in the forefront of debates about the fate of consumer society and the operation of modern social power. In a sweeping revision of Marxist categories, the notion of the spectacle takes the problem of the commodity from the sphere of economics to a point at which the commodity as an image dominates not only economic exchange but the primary communicative and symbolic activity of all modern societies.Guy Debord was one of the most important participants in the activities associated with the Situationist International in the 1960s. Also an artist and filmmaker, he is the author of Memoires and Commentaires sur la societe du spectacle. A Swerve Edition, distributed for Zone Books.
小段 小段的读非常有意思,但不看译本基本把握不到大的POINT.....TAT
评分textbook for sociology on Ethnic and Minority Studies。只看细节的话,这书很好玩。但是纵观全书,你到底要表达什么point啊!!
评分the concentrated spectacle and the diffused spectacle. one modeled by by U.S.S.R. and the other by the the US. 20 years after, Debord came up with the idea of the integrated spectacle, exemplified by France and Italy. How are these spectacles related to each other?
评分碎碎念
评分相对现实 任何媒介 哪怕隔着玻璃看似透明和客观 也已不同程度地扭曲真实
The Society of the Spectacle 2025 pdf epub mobi 电子书