In Cinema at the Crossroads: Nation and the Subject in East Asian Cinema, Hyon Joo Yoo argues that East Asian experiences of colonialism and postcolonialism call for a different conceptualization of postcoloniality, subjectivity, and the nation. Through its analyses of Japanese, Korean, and Taiwanese cinemas, this engaging study of cinema and culture charts the ways in which national cinemas visualize colonial and postcolonial conditions that derive from the history of Japanese colonialism and the post-war alliance between Japan and the United States. What does it mean to rethink postcolonial studies through East Asian cinema and experience? Yoo pursues this question by bringing an East Asian postcolonial framework, the notion of film as a manifestation of national culture, and the methodology of psychoanalysis to bear on a failed hegemonic subject. Cinema at the Crossroads is a profound look into how cinema and national culture intertwine with hegemony and power.
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好吧，虽然有强行套精神分析的嫌疑，但至少不完全是流水账了……
评分好吧，虽然有强行套精神分析的嫌疑，但至少不完全是流水账了……
评分好吧，虽然有强行套精神分析的嫌疑，但至少不完全是流水账了……
评分好吧，虽然有强行套精神分析的嫌疑，但至少不完全是流水账了……
评分好吧，虽然有强行套精神分析的嫌疑，但至少不完全是流水账了……
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