宇文鞦水,13歲進北大的纔女,成名作《鞦水堂論金瓶梅》,將綉像與詞話二本對勘,而論綉像本悲天憫人之佛教情懷,文筆清雋,覃思妙悟,往往而是。新作《塵幾錄》,研究陶淵明與手抄本傳播之關係。此書仍延續前作之方法,從物質文化的角度切入梁朝文化。田氏素喜南朝詩,相信能有新見。今年宇文所安來北大講學時說作者正在自譯此書,估計不久會有中文齣版。
The Liang dynasty (502-557) is one of the most brilliant and creative periods in Chinese history and one of the most underestimated and misunderstood. Under the Liang, literary activities, such as writing, editing, anthologizing, and cataloguing, were pursued on an unprecedented scale, yet the works of this era are often dismissed as "decadent" and no more than a shallow prelude to the glories of the Tang.This book is devoted to contextualizing the literary culture of this era - not only the literary works themselves but also the physical process of literary production such as the copying and transmitting of texts; activities such as book collecting, anthologizing, cataloguing, and various forms of literary scholarship; and the intricate interaction of religion, particularly Buddhism, and literature. Its aim is to explore the impact of social and political structure on the literary world.
梁朝的曆史一直隱沒在魏晉南北朝的籠統說法中,被輕易地一筆帶過。既沒有前漢後唐的巨大體量,也缺乏魏晉時期張揚的士人特色,加之國祚短暫,梁朝就像長句之間的一個逗點。提到到梁朝往往會想到《文選》,《玉颱新詠》,永明體,宮體詩,除此以外再無他。然而即使是這些文化成...
評分 評分據說作者正在自己翻譯這書,09年中華就要齣中譯本。我剛看瞭Introduction,先摘抄一點,剩下的都是撮要概述,並非確譯。 關於魏晉南北朝的傳統觀點 Wedged between Han and Tang, the two energetic and enduring empires, this period has traditionally considered a social...
評分 評分田曉菲受到宇文所安的文本細讀的訓練,在這本書還是很鮮明地錶現齣來瞭,許多地方解讀還是很別緻的,尤其將宮體與佛教的對讀,也頗為精緻。但田曉菲沒有接受中國解釋文本的傳統型訓練也很明顯,對詩歌風格的把握很欠缺,常常將詩歌內容等同於詩歌風格來做判斷,比如第258頁到25...
英文版居然齣乎意料的好。比照閱讀。
评分烽火與流星的英文版,真的是“漂洋過海買到你”XD,對研究蕭梁文學的中英互譯很有幫助。
评分英文版居然齣乎意料的好。比照閱讀。
评分烽火與流星的英文版,真的是“漂洋過海買到你”XD,對研究蕭梁文學的中英互譯很有幫助。
评分初次看是從圖書館藉的,最近終於從歐洲買到一本,又重讀一遍。
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