John Powers is a writer and film critic. Powers covers film and politics for Vogue and Vogue.com and is the pop-culture critic and critic-at-large on NPR's Fresh Air with Terry Gross. His work has appeared in numerous publications, including Harper's, The Nation, Gourmet, The Washington Post, the New York Times, and L.A. Weekly, where he spent twelve years as a critic and columnist.
发表于2025-01-30
WKW 2025 pdf epub mobi 电子书
书很有质感(i.e., 重!特别重!),其实文字不是很多,断断续续看完,加起来花的时间估计不多。这在电影类书籍里算良心的,没有煽情性的戏剧人生描写,是根据时间顺序一部部跟墨镜聊他的电影,怎么来的灵感,怎么发展,啼笑皆非的过程,对演员的诚实评价等等,值得拥有。 我对...
评分1•介于小开和恶少之间 作为一个电影导演,王家卫介于洋场小开和洋场恶少之间。说他小开,是指他的见多识广,混迹于西方电影艺术之殿堂,喜欢在电影画面上挥金如土,追求精致和完美。说他介于小开和恶少之间,是指他徘徊于华丽的欲望和高深莫测的冷漠,不知自己究竟应该放纵...
图书标签: 王家卫 电影 传记 香港 香港电影 电影人传记 画集 Film
The long-awaited retrospective from the internationally renowned film director celebrated for his visually lush and atmospheric films. Wong Kar Wai is known for his romantic and stylish films that explore—in saturated, cinematic scenes—themes of love, longing, and the burden of memory. His style reveals a fascination with mood and texture, and a sense of place figures prominently. In this volume, the first on his entire body of work, Wong Kar Wai and writer John Powers explore Wong's complete oeuvre in the locations of some of his most famous scenes.
The book is structured as six conversations between Powers and Wong (each in a different locale), including the restaurant where he shotIn the Mood for Love and the snack bar where he shot Chungking Express. Discussing each of Wong's eleven films—fromAs Tears Go By and Days of Being Wild to 2046 and The Grandmaster—the conversations also explore Wong's trademark themes of time, nostalgia, and beauty, and their roots in his personal life.
The first book by Wong Kar Wai, and the first comprehensive look at his oeuvre, this stunning, lavishly illustrated volume is as evocative as walking into one of Wong's lush films. With more than 250 photographs and film stills and an opening critical essay by Powers, this volume is poised to become the film book of the year.
説來説去WKW的魅力在哪裏,風格化的影像、迂迴巧妙的音樂、響當當的演員陣營、臭味相投的老拍檔等等固然,但最最迷惑人(擾人)的,還是他戲裏呈現的無法跨越的一道道鴻溝,期望與落空,現實與想像,傲氣與恐懼,記著與忘卻,壓抑與釋放、面對與逃避。人與人,也是人與自己。「我以爲我們不會像他們那樣」、「我一直以爲我是贏的那個」,就算再看一百一千遍,我們仍會這麽以爲,以爲自己比較高尚、比較堅定、比較不屑一顧。其實你越以爲自己和別人不同,就越與人都一樣,那句"I want to be different, just like everybody"不衹是調侃。
评分他的用功程度比孝賢還要誇張。現場不需要劇本也是他的用功方法之一。相當可怕的創作方式,等同於先榨乾自己,再榨乾劇組,最後再榨乾一次自己
评分不评价了,书里的文字说明了一切。
评分【2019年5月28日】
评分film is a behavior, not plot and line
WKW 2025 pdf epub mobi 电子书