Following the death of her son, Mieko Toganō takes an increasing interest in the personal affairs of her widowed daughter-in-law, Yasuko. Devastated by her loss, she skillfully manipulates the relationships between Yasuko and the two men who are in love with her, encouraging a dalliance that will have terrible consequences. Meanwhile, hidden in the shadows, is Mieko’s mentally-handicapped daughter, who has her own role to play in her mother’s bizarre schemes. In Masks, Enchi has crafted a stunning and understated novel of seduction and infidelity.
具体描述
读后感
Enchi Fumiko (1905-1986) was a versatile Japanese woman writer. In addition to voluminous novels, she was also renowned for translating The Tale of Genji into modern Japanese. The novel in discussion, Onnamen or Masks, came out in post-war Japan in1958. Aft...
评分Enchi Fumiko (1905-1986) was a versatile Japanese woman writer. In addition to voluminous novels, she was also renowned for translating The Tale of Genji into modern Japanese. The novel in discussion, Onnamen or Masks, came out in post-war Japan in1958. Aft...
评分找这本书找得我快疯了…虽然诡异有余变态不足，场景也偏唯美清淡，【教练这里有变态读者！！！】但是果然最后harume站在神社前唱歌的样子好美…不知为什么我总觉得她是全书最美的，虽然她死时我也没多大感觉，只是觉得用她来表现杯具有些累赘，虽然我能理解她的死再衬托什么啦...
评分Enchi Fumiko (1905-1986) was a versatile Japanese woman writer. In addition to voluminous novels, she was also renowned for translating The Tale of Genji into modern Japanese. The novel in discussion, Onnamen or Masks, came out in post-war Japan in1958. Aft...
评分找这本书找得我快疯了…虽然诡异有余变态不足，场景也偏唯美清淡，【教练这里有变态读者！！！】但是果然最后harume站在神社前唱歌的样子好美…不知为什么我总觉得她是全书最美的，虽然她死时我也没多大感觉，只是觉得用她来表现杯具有些累赘，虽然我能理解她的死再衬托什么啦...
用户评价
我好像可以了解那个老太太的内心活动世界，以及她的儿媳，可是理解不代表赞同，只不过是日本古老家族那些根深蒂固的想法吧，其实没有男人的女人世界真的很可怕，就像清剧里面的后宫一样。觉得里面的婆婆好像一只蜘蛛，而她的儿媳就是蜘蛛网上的诱饵，终究会被婆婆吞噬掉，儿媳也是婆婆用来达到目的的一种手段，只是可怜了里面的小女儿。
评分坑爹啊（摔///这些女人真可怕（挖鼻
评分坑爹啊（摔///这些女人真可怕（挖鼻
评分????
评分坑爹啊（摔///这些女人真可怕（挖鼻
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