The first edition of "The Rhetoric of Fiction" transformed the criticism of fiction and soon became a classic in the field. One of the most widely used texts in fiction courses, it is a standard reference point in advanced discussions of how fictional form works, how authors make novels accessible, and how readers recreate texts, and its concepts and terms--such as "the implied author," "the postulated reader," and "the unreliable narrator"--have become part of the standard critical lexicon.
For this new edition, Wayne C. Booth has written an extensive Afterword in which he clarifies misunderstandings, corrects what he now views as errors, and sets forth his own recent thinking about the rhetoric of fiction. The other new feature is a Supplementary Bibliography, prepared by James Phelan in consultation with the author, which lists the important critical works of the past twenty years--two decades that Booth describes as "the richest in the history of the subject."
随便找的两个例子。 头痛头痛头痛头痛头痛头痛头痛头痛头痛头痛头痛头痛头痛头痛头痛头痛头痛头痛头痛头痛头痛头痛头痛头痛头痛头痛头痛头痛头痛头痛头痛头痛头痛头痛头痛头痛头痛头痛头痛头痛头痛头痛头痛头痛头痛头痛头痛头痛头痛头痛头痛头痛头痛头痛头痛头痛头痛头痛头痛头...
评分随便找的两个例子。 头痛头痛头痛头痛头痛头痛头痛头痛头痛头痛头痛头痛头痛头痛头痛头痛头痛头痛头痛头痛头痛头痛头痛头痛头痛头痛头痛头痛头痛头痛头痛头痛头痛头痛头痛头痛头痛头痛头痛头痛头痛头痛头痛头痛头痛头痛头痛头痛头痛头痛头痛头痛头痛头痛头痛头痛头痛头痛头痛头...
评分1.英译文的语言逻辑很糟糕,何况是议论文 2.理论新鲜刺激,很难消化,又觉得确实有意思。内容丰富也带来失望,好像有一件想做得事,突然变得极其艰难。 3.古典小说,现代小说,严肃小说,畅销小说和其中的讽刺幽默庄严含混,同着与艺术的关系展现出来。 4.作者,叙述者,主人公...
评分1.英译文的语言逻辑很糟糕,何况是议论文 2.理论新鲜刺激,很难消化,又觉得确实有意思。内容丰富也带来失望,好像有一件想做得事,突然变得极其艰难。 3.古典小说,现代小说,严肃小说,畅销小说和其中的讽刺幽默庄严含混,同着与艺术的关系展现出来。 4.作者,叙述者,主人公...
评分1.英译文的语言逻辑很糟糕,何况是议论文 2.理论新鲜刺激,很难消化,又觉得确实有意思。内容丰富也带来失望,好像有一件想做得事,突然变得极其艰难。 3.古典小说,现代小说,严肃小说,畅销小说和其中的讽刺幽默庄严含混,同着与艺术的关系展现出来。 4.作者,叙述者,主人公...
终于知道implied author到底是什么了.....official versions of himself in his works, sum total of his choices, etc.....Henry James是Wayne Booth着意品评的人物。
评分抱着去理解“隐含作者”概念而读的,并没能全部解决我的疑问。但这本书的确也给了我很多启示。似乎所有问题的解决最终都归结为一个问题:什么是文学?
评分老师说的英文名字应该是这本书。。现在确定了应该是这本书没错。。不过话说竟然林林总总的,通过阅读其他材料了解个皮毛了。。。为撒我们学校不做这种pre,差评啊
评分"小说修辞的根本问题是作者决定应该为谁写作的问题"
评分Booth在这本书之后写的很多书和文章的思路,基本都可以在这本书里找到了
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