Structure, Audience and Soft Power in East Asian Pop Culture 2025 pdf epub mobi 電子書 下載


Structure, Audience and Soft Power in East Asian Pop Culture

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Structure, Audience and Soft Power in East Asian Pop Culture pdf epub mobi 著者簡介

Chua Beng Huat is professor of sociology at National University of Singapore, and the author of Life Is Not Complete Without Shopping: Consumption Culture in Singapore.

"Chua Beng Huat offers us a tasty buffet of selections from East Asian cinema, TV drama, music, animation and manga in this groundbreaking book. He shows how linguistic differences in culturally proximate regions work with commercial Pop Culture forces to engender multiple, complex identities that are open to change and strategic use." — Michael Keane, Queensland University of Technology

"In this excellent introductory text Chua Beng Huat captures East Asia's cultural and capitalist vibrancy. The book's regional in scope and conceptual clarity make it a welcome tool for teaching students who are captivated by the topic and informing scholars seeking expert guidance in an emerging field of scholarship." — Peter J. Katzenstein, Walter S. Carpenter, Cornell University

"An accessible introduction to a field that the author has been at the forefront of for some years now. Countering the assumption of a 'greater China' based on shared Confucian values, Chua shows how popular culture forges a multicentered and varied Chinese identity beyond any one state or territory." — Chris Berry, Goldsmiths, University of London


Structure, Audience and Soft Power in East Asian Pop Culture pdf epub mobi 圖書描述

East Asian pop culture can be seen as an integrated cultural economy emerging from the rise of Japanese and Korean pop culture as an influential force in the distribution and reception networks of Chinese language pop culture embedded in the ethnic Chinese diaspora. Taking Singapore as a locus of pan-Asian Chineseness, Chua Beng Huat provides detailed analysis of the fragmented reception process of transcultural audiences and the processes of audiences’ formation and exercise of consumer power and engagement with national politics.

In an era where exercise of military power is increasingly restrained, pop culture has become an important component of soft power diplomacy and transcultural collaborations in a region that is still haunted by colonization and violence. The author notes that the aspirations behind national governments' efforts to use popular culture is limited by the fragmented nature of audiences who respond differently to the same products; by the danger of backlash from other members of the importing country's population that do not consume the popular culture products in question; and by the efforts of the primary consuming country, the People's Republic of China to shape products through co-production strategies and other indirect modes of intervention.

Structure, Audience and Soft Power in East Asian Pop Culture 2025 pdf epub mobi 電子書 下載

Structure, Audience and Soft Power in East Asian Pop Culture pdf epub mobi 圖書目錄




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發表於2025-01-10

Structure, Audience and Soft Power in East Asian Pop Culture 2025 pdf epub mobi 電子書 下載

Structure, Audience and Soft Power in East Asian Pop Culture 2025 pdf epub mobi 電子書 下載

Structure, Audience and Soft Power in East Asian Pop Culture 2025 pdf epub mobi 電子書 下載



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出版者:Hong Kong University Press
作者:Chua Beng Huat
出品人:
頁數:200
譯者:
出版時間:2012-3
價格:HKD195.00/ USD25.00
裝幀:平裝
isbn號碼:9789888139040
叢書系列:

圖書標籤: 文化研究  論文  流行文化  當代文化  媒體  媒介研究  東亞研究  popculture   


Structure, Audience and Soft Power in East Asian Pop Culture 2025 pdf epub mobi 電子書 下載
想要找書就要到 本本書屋
立刻按 ctrl+D收藏本頁
你會得到大驚喜!!

Structure, Audience and Soft Power in East Asian Pop Culture pdf epub mobi 用戶評價

評分

感覺是非常宏觀的敘述,討論的部分不多。

評分

注意到pop culture不能等同於popular culture是非常關鍵的,同樣重要的還有pan-Asia identity與Chinese-ness之間的關係,從後者的角度說,或許研究日韓對華語媒介産品的接受能揭示更多有趣的問題。不足也是比較明顯的,例如使用的例子太老(張惠妹一例的解釋不夠確切),而且基本無視瞭內容本身。盡管蔡老師說,流行文化産品更新率太快,以至於研究一種流通與消費的結構會更有成效(Damrosch的World Literature的啓發?),但這一視野卻又受製於regionalization本身。應當追問的是,這種結構與好萊塢傳播消費的差異是什麼?需要一種深入的比較研究。而對內容的忽視(電視劇與其他媒介産品的差異)、對民族誌方法的放棄也會導緻得齣一些錶麵結論。

評分

感覺是非常宏觀的敘述,討論的部分不多。

評分

注意到pop culture不能等同於popular culture是非常關鍵的,同樣重要的還有pan-Asia identity與Chinese-ness之間的關係,從後者的角度說,或許研究日韓對華語媒介産品的接受能揭示更多有趣的問題。不足也是比較明顯的,例如使用的例子太老(張惠妹一例的解釋不夠確切),而且基本無視瞭內容本身。盡管蔡老師說,流行文化産品更新率太快,以至於研究一種流通與消費的結構會更有成效(Damrosch的World Literature的啓發?),但這一視野卻又受製於regionalization本身。應當追問的是,這種結構與好萊塢傳播消費的差異是什麼?需要一種深入的比較研究。而對內容的忽視(電視劇與其他媒介産品的差異)、對民族誌方法的放棄也會導緻得齣一些錶麵結論。

評分

感覺是非常宏觀的敘述,討論的部分不多。

Structure, Audience and Soft Power in East Asian Pop Culture 2025 pdf epub mobi 電子書 下載


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