Yuk Hui (許煜) is a postdoctoral researcher at the Institute of Culture and Aesthetics of Digital Media in Leuphana University in Germany.
Bernard Stiegler is head of the Institut de recherche et d’innovation of the Centre Pompidou.
Digital objects, in their simplest form, are data. They are also a new kind of industrial object that pervades every aspect of our life today—as online videos, images, text files, e-mails, blog posts, Facebook events.Yet, despite their ubiquity, the nature of digital objects remains unclear.
On the Existence of Digital Objects conducts a philosophical examination of digital objects and their organizing schema by creating a dialogue between Martin Heidegger and Gilbert Simondon, which Yuk Hui contextualizes within the history of computing. How can digital objects be understood according to individualization and individuation? Hui pursues this question through the history of ontology and the study of markup languages and Web ontologies; he investigates the existential structure of digital objects within their systems and milieux. With this relational approach toward digital objects and technical systems, the book addresses alienation, described by Simondon as the consequence of mistakenly viewing technics in opposition to culture.
Interdisciplinary in philosophical and technical insights, with close readings of Husserl, Heidegger, and Simondon as well as the history of computing and the Web, Hui’s work develops an original, productive way of thinking about the data and metadata that increasingly define our world.
Reviews:
This is a major contribution to the subfield of the philosophy of technology, and as such, takes on two of the towering figures in the 20th century thinking on humans’ relationship with technics: Heidegger and Simondon. — Parrhesia: A Journal of Critical Philosophy
Hui’s project is remarkable for a conceptual engagement with twentieth-century philosophies of technology (Simondon, Heidegger, Husserl, Stiegler, Ellul) that pushes these theories further by confronting them with questions of the digital. — Radical Philosophy
Hui hat ein Buch vorgelegt, das die Aktualität von Metaphysik und den dringenden Bedarf an neuen Ontologien in digitalen Zeiten überzeugend darstellt und überzeugende, teils kühne Vorschläge liefert — Zeitschrift für Medienwissenschaft
Hui develops in this essay an absorbing philosophical investigation of these objects which goes well beyond the ample definition of digital humanities. — Neural Magazine
Hui adeptly blends his technical training and philosophical knowledge to address a fundamental question: what is the relationship between technological and humanistic concerns? — Public Books
發表於2024-11-22
On the Existence of Digital Objects 2024 pdf epub mobi 電子書 下載
許煜這本書是一場冒險的遠徵,它的目的地是未來。 未來是可驚可怖的。在科幻小說和電影裏,機器成為母親甚至母體,大地母親蓋婭失去瞭她的自然原力,河流凍結,山巒變成摩天大廈又變為蒸汽廢墟,人類被追殺,在宇宙中流浪,而意義坍縮成為黑洞乃至空洞。這一切,源自於人類創造...
評分許煜這本書是一場冒險的遠徵,它的目的地是未來。 未來是可驚可怖的。在科幻小說和電影裏,機器成為母親甚至母體,大地母親蓋婭失去瞭她的自然原力,河流凍結,山巒變成摩天大廈又變為蒸汽廢墟,人類被追殺,在宇宙中流浪,而意義坍縮成為黑洞乃至空洞。這一切,源自於人類創造...
評分許煜這本書是一場冒險的遠徵,它的目的地是未來。 未來是可驚可怖的。在科幻小說和電影裏,機器成為母親甚至母體,大地母親蓋婭失去瞭她的自然原力,河流凍結,山巒變成摩天大廈又變為蒸汽廢墟,人類被追殺,在宇宙中流浪,而意義坍縮成為黑洞乃至空洞。這一切,源自於人類創造...
評分許煜這本書是一場冒險的遠徵,它的目的地是未來。 未來是可驚可怖的。在科幻小說和電影裏,機器成為母親甚至母體,大地母親蓋婭失去瞭她的自然原力,河流凍結,山巒變成摩天大廈又變為蒸汽廢墟,人類被追殺,在宇宙中流浪,而意義坍縮成為黑洞乃至空洞。這一切,源自於人類創造...
評分許煜這本書是一場冒險的遠徵,它的目的地是未來。 未來是可驚可怖的。在科幻小說和電影裏,機器成為母親甚至母體,大地母親蓋婭失去瞭她的自然原力,河流凍結,山巒變成摩天大廈又變為蒸汽廢墟,人類被追殺,在宇宙中流浪,而意義坍縮成為黑洞乃至空洞。這一切,源自於人類創造...
圖書標籤: 哲學 科技 媒介 法國 文化研究 思想史 YukHui 文學理論
interobjectivity;v infromation: thing-thing
評分說實話就是個嚴謹的學者而已。。。。。創新的東西很少
評分interobjectivity;v infromation: thing-thing
評分西濛東和海德格爾對客體的看法與語義網與信息哲學的對話,重讀瞭現象學對邏輯本體論的爭論。
評分interobjectivity;v infromation: thing-thing
On the Existence of Digital Objects 2024 pdf epub mobi 電子書 下載