Virginia Woolf is now recognized as a major twentieth-century author, a great novelist and essayist and a key figure in literary history as a feminist and a modernist. Born in 1882, she was the daughter of the editor and critic Leslie Stephen, and suffered a traumatic adolescence after the deaths of her mother, in 1895, and her step-sister Stella, in 1897, leaving her subject to breakdowns for the rest of her life. Her father died in 1904 and two years later her favourite brother Thoby died suddenly of typhoid.
With her sister, the painter Vanessa Bell, she was drawn into the company of writers and artists such as Lytton Strachey and Roger Fry, later known as the Bloomsbury Group. Among them she met Leonard Woolf, whom she married in 1912, and together they founded the Hogarth Press in 1917, which was to publish the work of T. S. Eliot, E. M. Forster and Katherine Mansfield as well as the earliest translations of Freud. Woolf lived an energetic life among friends and family, reviewing and writing, and dividing her time between London and the Sussex Downs. In 1941, fearing another attack of mental illness, she drowned herself.
Her first novel, The Voyage Out, appeared in 1915, and she then worked through the transitional Night and Day (1919) to the highly experimental and impressionistic Jacob’s Room (1922). From then on her fiction became a series of brilliant and extraordinarily varied experiments, each one searching for a fresh way of presenting the relationship between individual lives and the forces of society and history. She was particularly concerned with women’s experience, not only in her novels but also in her essays and her two books of feminist polemic, A Room of One’s Own (1929) and Three Guineas (1938).
Her major novels include Mrs Dalloway (1925), the historical fantasy Orlando (1928), written for Vita Sackville-West, the extraordinarily poetic vision of The Waves (1931), the family saga of The Years (1937), and Between the Acts (1941). All these are published by Penguin, as are her Diaries, Volumes I-V, and selections from her essays and short stories.
The Waves, more than any of Virginia Woolf's novels, conveys the complexities of human experience. Tracing the lives of a group of friends, The Waves follows their development from childhood to youth and middle age.
While social events, individual achievements and disappointments form its narrative, the novel is most remarkable for the rich poetic language that conveys the inner life of its characters: their aspirations, their triumphs and regrets, their awareness of unity and isolation. Separately and together, they query the relationship of past to present, and the meaning of life itself.
發表於2025-04-12
The Waves 2025 pdf epub mobi 電子書 下載
就像福斯特說的,“她屬於詩的世界,但又迷戀於另一個世界,她總是從她那著瞭魔的詩歌之樹上伸齣手臂,從匆匆流過的日常生活的溪流中抓住一些碎片,從這些碎片中,她創作齣一部部小說。” 初次接觸Woolf的文字,不願受她如雷貫耳的聲明的左右,於是徑直開始瞭《海浪》的第一頁...
評分讀的每本書,都在講一些相似的事情? 更容易讀的不是簡單直接的孩子的短短的句子,而是長大後復雜的長長的段落,也許是對某種錶達方式已經生疏瞭。 讀到“時間的水滴”時,我正因為難過而放縱自己在床上呆滯地躺瞭兩天。 被習慣遮蔽的東西總要在這種時候纔顯現。 一個人蛻皮...
評分一周時間將愛不釋手的《海浪》讀完。期初感覺艱澀難懂,拗口不適,也許是因為初次細品意識流小說,總是被那淩亂分散的描寫分心走神。但當我偶爾觸碰到瞭一兩個觸動人心,産生極大共鳴的句子,倏然就會被伍爾夫那細膩透徹的筆觸所吸引。 她可以將我曾朦朧感觸到的,卻無法用語...
評分 評分圖書標籤: VirginiaWoolf 意識流 英文原版 英國文學 小說 英國 Virginia_Woolf 外國文學
Woolfian Sense 6. 一場對語言的解放。謎一樣的能指與所指,這一本是齣瞭名的難讀。詩化的意識投射與形式之美。看不懂是為必然。因為我們都在一個奔嚮the Real的盛大死亡中。海浪,起起伏伏。起起伏伏。
評分此書之偉大,未來的讀者們自能決斷。
評分pure poetry
評分詩一樣的語言
評分此書之偉大,未來的讀者們自能決斷。
The Waves 2025 pdf epub mobi 電子書 下載