Lyida H. Liu is Associate Professor of Chinese and Comparative Literature at the University of California, Berkeley.
Are languages incommensurate? If so, how do people establish and maintain hypothetical equivalences between words and their meanings? What does it mean to translate one culture into the language of another on the basis of commonly conceived equivalences?This study -- bridging contemporary theory Chinese history, comparative literature, and culture studies -- analyzes the historical interactions among China, japan. and the West in terms of "translingual practice." By this term, the author refers to the process by which new words, meanings, discourses, and modes of representation arose, circulated, and acquired legitimacy in early modern China as it contacted/collided with European/Japanese languages and literatures. In reexamining the rise of modern Chinese literature in this context, the book asks three central questions: How did "modernity" and "the West" become legitimized in May Fourth literary discourse? What happened to native agency in this complex process of legitimation? How did the Chinese national culture imagine and interpret its own moment of unfolding?After the first chapter, which deals with the theoretical issues, ensuing chapters treat particular instances of translingual practice such as national character, individualism, stylistic innovations, first-person narration, and canon formation. The author reexamines the works of Lu Xun, Lao She, Shi Zhicun, Ding Ling, Xiao Hong, and others in this light, and concludes by probing the unprecedented conditions under which Chinese writers and critics moved from confidence in the absolute centrality of their civilization to rethinking Chinese literature and culture as one among many national literatures and cultures.Inshort, what does it mean to be Zhongguo ren (men and women of the Middle Kingdom) in terms of what is not of the Middle Kingdom?An appendix lists and classifies over 1,800 loanwords and neologisms introduced into modern Chinese before 1950, the largest annotated collection to be found a
When “Western” and Chinese scholars were obsessed with whether the Ming-Qing China had “the” modernity, or “a” different modernity (e.g., the impact-response debates initiated by Fairbank and Levenson, the public sphere discussion based on Habermas wi...
评分因对一个小站活动(http://www.douban.com/event/18071412/)表示了兴趣,且收到了主办方寄来的两章电子书,十分感谢。网上办读书讨论不是件十分轻松的事,主办方的热心肠值得称道。该活动要讨论的是一位叫Michael Gibbs Hill 的美国学者新出的著作《林纾公司》(Lin Shu, Inc...
评分因对一个小站活动(http://www.douban.com/event/18071412/)表示了兴趣,且收到了主办方寄来的两章电子书,十分感谢。网上办读书讨论不是件十分轻松的事,主办方的热心肠值得称道。该活动要讨论的是一位叫Michael Gibbs Hill 的美国学者新出的著作《林纾公司》(Lin Shu, Inc...
评分 评分因对一个小站活动(http://www.douban.com/event/18071412/)表示了兴趣,且收到了主办方寄来的两章电子书,十分感谢。网上办读书讨论不是件十分轻松的事,主办方的热心肠值得称道。该活动要讨论的是一位叫Michael Gibbs Hill 的美国学者新出的著作《林纾公司》(Lin Shu, Inc...
终于看了王彬彬那篇文章,“花拳绣腿”这种词明显是性别歧视,令人作呕。
评分中国文化从晚清到民国的confrontation。有中文版就好了,好多名字还对不上号。读太快,需重读
评分终于看了王彬彬那篇文章,“花拳绣腿”这种词明显是性别歧视,令人作呕。
评分拜服
评分Lydia Liu's ability is way more than just proposing a fashionable concept and analytical category. She delivers and develops it in a solid and sophisticated way, which shows again that the literature criticism is worth reading for historians who usually tend to simplify human beings and their activities unwisely.
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