Florence and Baghdad 2024 pdf epub mobi 電子書下載

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The use of perspective in Renaissance painting caused a revolution in the history of seeing, allowing artists to depict the world from a spectator's point of view. But the theory of perspective that changed the course of Western art originated elsewhere--it was formulated in Baghdad by the eleventh-century mathematician Ibn al Haithan, known in the West as Alhazen. Using the metaphor of the mutual gaze, or exchanged glances, Hans Belting--preeminent historian and theorist of medieval, Renaissance, and contemporary art--narrates the historical encounter between science and art, between Arab Baghdad and Renaissance Florence, that has had a lasting effect on the culture of the West. In this lavishly illustrated study, Belting deals with the double history of perspective, as a visual theory based on geometrical abstraction (in the Middle East) and as pictorial theory (in Europe). How could geometrical abstraction be reconceived as a theory for making pictures? During the Middle Ages, Arab mathematics, free from religious discourse, gave rise to a theory of perspective that, later in the West, was transformed into art when European painters adopted the human gaze as their focal point. In the Islamic world, where theology and the visual arts remained closely intertwined, the science of perspective did not become the cornerstone of Islamic art. Florence and Baghdad addresses a provocative question that reaches beyond the realm of aesthetics and mathematics: What happens when Muslims and Christians look upon each other and find their way of viewing the world transformed as a result?

Florence and Baghdad 2024 pdf epub mobi 電子書下載

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發表於2024-05-29

Florence and Baghdad 2024 pdf epub mobi 電子書下載

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— 文/ 大衛•羅剋斯堡 | David Roxburgh（哈佛大學伊斯蘭藝術史阿蘇德王子教席教授）, 譯/ 梁舒涵漢斯•貝爾廷（Hans Belting）在其新作《佛羅倫薩與巴格達》（Florence and Baghdad ，2008年以德文齣版，最近被譯成英文）中探討瞭透視的問題，即從透視的發明到文藝復興...

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