Haiyan Lee is Associate Professor for East Asian Languages and Cultures and Comparative Literature at Stanford University.
In the last two decades, China has become a dramatically more urban society and hundreds of millions of people have moved residence in the process. Family and communal bonds have been broken in a country now known as "a society of acquaintances." There has been a resulting breakdown of civility and trust in contemporary China, and the new market economy doesn't offer any solutions.
This book investigates how the Chinese have coped with the condition of modernity in which strangers are routinely thrust together, testing the moral limits of a society known for the primacy of blood relations and familiarity. Haiyan Lee dismisses the easy answers claiming that this "moral crisis" is not merely smoke and mirrors conjured up by paternalistic, overwrought leaders, policy makers, and scholars, nor should it be simply chalked up to the topsy-turvy of a market economy on steroids. Rather, Lee argues that the perception of crisis is itself symptomatic of a deeper problem that has roots in both the Confucian tradition of kinship and the modern state management of stranger sociality.
This ambitious work is the first to investigate the figure of the stranger—foreigner, peasant migrant, bourgeois intellectual, class enemy, dangerous woman, animal—across literature, journal articles, film, television, and popular museum exhibits. Lee's aim is to show that hope lies with a robust civil society in which literature and the arts play a key role in sharpening the moral faculties and apprenticing readers in the art of living with strangers. In so doing, she make a historical, comparative, and theoretically informed contribution to the on-going conversation on China's "uncivil society."
發表於2025-03-03
The Stranger and the Chinese Moral Imagination 2025 pdf epub mobi 電子書 下載
圖書標籤: 海外中國研究 文化研究 社會學 文學 李海燕 當代中國 中國文學 社會史
理論資源豐富,運用上信手拈來,錶達嚴謹又文采飛揚。書中的觀點與前幾天的一條廣播不謀而閤。今日文學到底承擔什麼樣的角色和功用?李海燕老師從列維納斯的他者齣發,強調文學的 politics 而非 poetics. 文學雖沒有直接促成改變,卻是 Rawls 所說的 veil of ignorance,是想象他者的起點。1 Zoomorphism一章涉及動物保護,從去人類中心主義的立場齣發,又順藤摸瓜用阿甘本的裸露生命,以“動物的裸露生命”類比人類。沿用福柯的people as flock,從biopolitics 和governmentality談動物和人。對文本《狼圖騰》的解讀又做瞭社會達爾文主義解讀。
評分還以為華人學者的漢語文學/電影研究語言會簡單點呢,我還是太天真瞭。隻看每章前麵的綜述,具體論證還是不太接受文學研究那套方法……
評分讀完第五章之後,決定加一顆星
評分比revolution of the heart更得心應手,角度更有趣
評分倫理學轉嚮的力作。導論藉助列維納斯的他者之臉,指齣一個真正的道德能動者必須有和陌生人社交的能力,同時警惕作為威權形象的第三方將原本偶然、自主且不可化約的道德行為加以編碼、標準乃至社會建製化。解讀部分,如靈山成功捕捉到遭遇陌生人之不可言喻、當代小說中的動物形象如何揭櫫其(與底層人)赤裸生命狀態和生命政治的運作、晚清小說中的妓院作為間隙型的公共空間、女性當自覺地以賤民姿態而非暴發戶憧憬在政治場域中周鏇、收租院通過交租糧的展覽-戀物和水牢-賤斥來操演階級種族觀、鬼子來瞭中的白話世界主義等,頗具洞見。結語指齣,由於審美經驗使讀者/觀眾無我化,從而移情、判斷等機製會帶來倫理公正或詩學正義;相對的則是作者的虛構能力常淪為政治義務的共謀。故此,讀者在虛構世界中遭遇陌生的經驗,是文學剋服“平庸的惡”之所在。
The Stranger and the Chinese Moral Imagination 2025 pdf epub mobi 電子書 下載