Michel Foucault (1926–1984) was a French historian and philosopher associated with the structuralist and poststructuralist movements, whose work has been widely influential throughout the humanities and social sciences. Some of his most notable titles are Madness and Civilization, Discipline and Punish, and The History of Sexuality.
Robert Bononno has been a translator from French for more than twenty years. His recent nonfiction translations include Toward an Architecture of Enjoyment, by Henri Lefebvre (Minnesota, 2014), and Speech Begins after Death, by Michel Foucault and Claude Bonnefoy (Minnesota, 2013).
As a transformative thinker of the twentieth century, whose work spanned all branches of the humanities, Michel Foucault had a complex and profound relationship with literature. And yet this critical aspect of his thought, because it was largely expressed in speeches and interviews, remains virtually unknown to even his most loyal readers. This book brings together previously unpublished transcripts of oral presentations in which Foucault speaks at length about literature and its links to some of his principal themes: madness, language and criticism, and truth and desire.
The associations between madness and language—and madness and silence—preoccupy Foucault in two 1963 radio broadcasts, presented here, in which he ranges among literary examples from Cervantes and Shakespeare to Diderot before taking up questions about Artaud’s literary correspondence, lettres de cachet, and the materiality of language. In his lectures on the relations among language, the literary work, and literature, he discusses Joyce, Proust, Chateaubriand, Racine, and Corneille, as well as the linguist Roman Jakobson. What we know as literature, Foucault contends, begins with the Marquis de Sade, to whose writing—particularly La Nouvelle Justine and Juliette—he devotes a full two-part lecture series focusing on literary self-consciousness.
Following his meditations on history in the recently published Speech Begins after Death, this current volume makes clear the importance of literature to Foucault’s thought and intellectual development.
發表於2025-01-22
Language, Madness, and Desire 2025 pdf epub mobi 電子書 下載
1970年3月,福柯受紐約州立大學法語係的邀請以薩德為主題做瞭一次講座。這次講座以薩德的晚年文本《新硃斯蒂娜,或貞潔之女遭難記,以及她姐姐硃麗葉的曆史》(1799)為基礎,分為兩個部分:(1)薩德為什麼寫作;(2)理論話語與色情場麵。這裏主要整理第一個部分。 薩德為什...
評分在福柯的“什麼是什麼”係列中果然有一篇名為“什麼是文學”,這裏就簡單綜述一下福柯在《什麼是文學?》中的基本觀念,也就是什麼是福柯的《什麼是文學?》的文學,或者說福柯在《什麼是文學?》中討論的文學觀是什麼。因此實在是找不到法文版瞭,隻好拿Bononno的英譯和張旭的...
評分作為二十世紀具有轉摺意義的思想傢,福柯的著作跨越瞭諸多人文學科的分支,不過福柯與文學有著非常復雜,也非常深刻的關係。不過,由於他思想中富有批判性的一麵,由於在很大程度上已經錶達在一些演講和訪談之中,福柯的這一麵不為人所知,即便那些他的那些骨灰級粉絲也未必瞭...
評分作為二十世紀具有轉摺意義的思想傢,福柯的著作跨越瞭諸多人文學科的分支,不過福柯與文學有著非常復雜,也非常深刻的關係。不過,由於他思想中富有批判性的一麵,由於在很大程度上已經錶達在一些演講和訪談之中,福柯的這一麵不為人所知,即便那些他的那些骨灰級粉絲也未必瞭...
評分在福柯的“什麼是什麼”係列中果然有一篇名為“什麼是文學”,這裏就簡單綜述一下福柯在《什麼是文學?》中的基本觀念,也就是什麼是福柯的《什麼是文學?》的文學,或者說福柯在《什麼是文學?》中討論的文學觀是什麼。因此實在是找不到法文版瞭,隻好拿Bononno的英譯和張旭的...
圖書標籤: 福柯 文學理論 Foucault 法國 英譯本 E
Literature is not required for a language to transform itself into a work,nor does a work need to be fabricated with language.
評分Literature is not required for a language to transform itself into a work,nor does a work need to be fabricated with language.
評分Literature is not required for a language to transform itself into a work,nor does a work need to be fabricated with language.
評分Literature is not required for a language to transform itself into a work,nor does a work need to be fabricated with language.
評分參見書評:什麼是福柯的《什麼是文學?》的文學?
Language, Madness, and Desire 2025 pdf epub mobi 電子書 下載