F.R. Leavis was born in 1895 in Cambridge, where he would live and teach for most of the rest of his life. He volunteered as a stretcher-bearer in the First World War, and was badly gassed on the Western Front. Appointed Director of Studies in English at Downing College, Cambridge, in 1930, he remained there for the next thirty years, often at odds with the University establishment. In 1932 he and his wife Queenie Roth founded the hugely influential journal Scrutiny, which ran until 1953. He was one of the most important figures in the development of modern literary criticism, and in the elevation of English as a serious academic subject. He died in 1978.
'The great English novelists are Jane Austen, George Eliot, Henry James and Joseph Conrad...' So begins what is arguably F.R. Leavis' most controversial book, "The Great Tradition", an uncompromising critical and polemical survey of English fiction that was first published in 1948. He puts a powerful case for moral seriousness as the necessary criterion for inclusion in any list of the finest novelists. In the course of his argument he adds D.H. Lawrence to the pantheon, and singles out Charles Dickens' "Hard Times" as the one work of his that has the strength of 'a completely serious work of art'."The Great Tradition" is full of Leavis' characteristically austere rejections of styles of fiction that he found lacking in moral intensity. He dismissed Lawrence Sterne for his 'irresponsible (and nasty) trifling'. Of Henry Fielding he wrote that he is important 'not because he leads to Mr J.B. Priestley but because he leads to Jane Austen, to appreciate whose distinction is to feel that life isn't long enough to permit of one's giving much time to Fielding or any to Mr Priestley.' Joyce's "Ulysses", he said, was less a new start for fiction than 'a dead end'. Fiercely serious, pugnacious and stimulating, "The Great Tradition" is an unforgettable defence of 'those creative geniuses whose distinction is manifested in their being peculiarly alive in their time'.
發表於2024-11-26
The Great Tradition 2024 pdf epub mobi 電子書 下載
通常,藝術的標準在於美。但是美是什麼?人們眾說紛紜,莫衷一是。當蘇格拉底以實用為美,當柏拉圖以簡潔為美,畢達哥拉斯學派提齣的比例和對稱,普羅提諾提齣的光亮,阿奎納不涉及利益的閤目的性,歌德提齣的完善,阿恩海姆的平衡和對稱,等等,都是在嘗試尋找一種屬性,這種...
評分通常,藝術的標準在於美。但是美是什麼?人們眾說紛紜,莫衷一是。當蘇格拉底以實用為美,當柏拉圖以簡潔為美,畢達哥拉斯學派提齣的比例和對稱,普羅提諾提齣的光亮,阿奎納不涉及利益的閤目的性,歌德提齣的完善,阿恩海姆的平衡和對稱,等等,都是在嘗試尋找一種屬性,這種...
評分通常,藝術的標準在於美。但是美是什麼?人們眾說紛紜,莫衷一是。當蘇格拉底以實用為美,當柏拉圖以簡潔為美,畢達哥拉斯學派提齣的比例和對稱,普羅提諾提齣的光亮,阿奎納不涉及利益的閤目的性,歌德提齣的完善,阿恩海姆的平衡和對稱,等等,都是在嘗試尋找一種屬性,這種...
評分通常,藝術的標準在於美。但是美是什麼?人們眾說紛紜,莫衷一是。當蘇格拉底以實用為美,當柏拉圖以簡潔為美,畢達哥拉斯學派提齣的比例和對稱,普羅提諾提齣的光亮,阿奎納不涉及利益的閤目的性,歌德提齣的完善,阿恩海姆的平衡和對稱,等等,都是在嘗試尋找一種屬性,這種...
評分通常,藝術的標準在於美。但是美是什麼?人們眾說紛紜,莫衷一是。當蘇格拉底以實用為美,當柏拉圖以簡潔為美,畢達哥拉斯學派提齣的比例和對稱,普羅提諾提齣的光亮,阿奎納不涉及利益的閤目的性,歌德提齣的完善,阿恩海姆的平衡和對稱,等等,都是在嘗試尋找一種屬性,這種...
圖書標籤: 文學理論 新批評 文本批評 F.R.Leavis 神作 文藝理論 文學 文化研究
心目中最棒的文學批評傢之一。剩下狄更斯Hard Times那章還沒看。
評分The major novelists who count in the same way as the major poets, in the sense that they not only change the possibilities of the art for practitioners and readers, but that they are significant in terms of the human awareness they promote; awareness of the possibilities of life.
評分The major novelists who count in the same way as the major poets, in the sense that they not only change the possibilities of the art for practitioners and readers, but that they are significant in terms of the human awareness they promote; awareness of the possibilities of life.
評分心目中最棒的文學批評傢之一。剩下狄更斯Hard Times那章還沒看。
評分The major novelists who count in the same way as the major poets, in the sense that they not only change the possibilities of the art for practitioners and readers, but that they are significant in terms of the human awareness they promote; awareness of the possibilities of life.
The Great Tradition 2024 pdf epub mobi 電子書 下載