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This study aims to engage the textual realities of medieval literature by shedding light on the material lives of poems during the Tang, from their initial oral or written instantiation through their often lengthy and twisted paths of circulation. Tang poems exist today in stable written forms assumed to reflect their creators' original intent. Yet Tang poetic culture was based on hand-copied manuscripts and oral performance. We have almost no access to this poetry as it was experienced by contemporaries. This is no trivial matter, the author argues. If we do not understand how Tang people composed, experienced, and transmitted this poetry, we miss something fundamental about the roles of memory and copying in the circulation of poetry as well as readers' dynamic participation in the creation of texts. We learn something different about poems when we examine them, not as literary works transcending any particular physical form, but as objects with distinct physical attributes, visual and sonic. The attitudes of the Tang audience toward the stability of texts matter as well. Understanding Tang poetry requires acknowledging that Tang literary culture accepted the conscious revision of these works by authors, readers, and transmitters.

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發表於2024-05-17

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The first chapter of Nugent’s book convincingly reverses a conviction that has guided modern scholarship of Tang poetry in China since it started out in the early 20th century. This conviction holds that a version of a Tang poem that dated from an earlier ...

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一、通過敦煌本《秦婦吟》各個鈔本的檢視對比，開始探討這些文本為什麼以及怎樣被創造齣來。．強調瞭文本的不穩定性（作者的缺失、鈔本的隨意改動等）．遷移到佛道文本──as Dunhuang texts from Buddhist and Daoist traditions have shown ,religious texts from the med...

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出版者:Harvard University Asia Center

作者:Christopher M. B. Nugent

出品人:

頁數:360

譯者:

出版時間:2011-1-1

價格:USD 45.00

裝幀:Hardcover

isbn號碼:9780674056039

叢書系列:Harvard-Yenching Institute Monograph Series