羅蘭·巴特(Roland Barthes,1915-1980)被認為是繼薩特之後法國知識界的領袖人物,濛田之後最富纔華的散文傢。他在符號、精神分析批評、釋義學、解構主義諸領域都有卓越建樹,對西方文化和文化研究影響深遠。
Preface by Richard Howard. Translated by Richard Miller. This is Barthes's scrupulous literary analysis of Balzac's short story "Sarrasine." Roland Barthes was born in 1915 and studied French literature and the classics at the University of Paris. After teaching French at universities in Romania and Egypt, he joined the Centre National de Recherche Scientifique, where he devoted himself to research in sociology and lexicology. He was a professor at the College de France until his death in 1980. "S/Z" is Barthes's scrupulous literary analysis of Balzac's short story "Sarrasine." "Language was both a luxury and a discipline for Barthes. He pursued a subject through language until he cornered it, until its disguise fell away and it was revealed in a kind of epiphany. In his own way, he cleaned the face of Paris more thoroughly than Andre Malraux did when he ordered its buildings washed down to their original colors and arranged for lights to be played upon them. Musing on the kind of painting done by someone like Ingres, Barthes says that 'painters have left movement the amplified sign of the unstable . . . the solemn shudder of a pose impossible to fix in time . . . the motionless overvaluation of the ineffable.' This might also serve as his definition of classical French prose, and in order to escape its encroachment, Barthes prodded, squeezed and sniffed at language, like a great chef buying fruits and vegetables. He munched distinctions. His sentence rhythms were those of a man who talks with his hands."--Anatole Broyard
發表於2025-03-25
S/Z 2025 pdf epub mobi 電子書 下載
迷戀羅蘭·巴特,喜歡《S/Z》《神話修辭術》《戀人絮語》《新批評論文集》《中性》,幾天之內連續閱讀,抬頭之際,有如下遐思…… *** 我是個悲觀的享樂主義者(奉行享樂的悲觀主義者)。 享樂既是麻痹也是升華,在享樂中時間的經驗得以消除,如同一種死亡的狀態。然而這不是...
評分“我沉陷在酣濃的白日夢中”,這是開局,和某一篇小說無關,那是1830年11月的敘事,和一篇文論無關,那也是1968年12月纔有的閱讀,在距離兩個世紀的寫作和一個世紀的閱讀之後,我在一個初春的日子,毫無徵兆的開始瞭我的酣濃白日夢旅程,沒有方嚮,甚至沒有過程,隻是沉沉地趴...
評分 評分巴爾紮剋的《薩拉辛》是一篇並不引人注目的短篇小說,但是,當它與羅蘭巴特相遇時,滄海遺珠一變而為風光月霽,巴特以精湛手術般的解讀,逐字逐句,將小說推到瞭無以倫比、令人絕倒的結構分析高度。 《薩拉辛》本身是一篇傳統的現實主義手法小說。在衣香鬢影的朗蒂宅邸晚會...
圖書標籤: 羅蘭·巴特 結構主義 文藝理論 哲學 法國 RolandBarthes 語言學 法國文學
趕著看瞭前麵一部分。
評分極為好看(在我能夠理解到的範圍內)!五種符碼本身並無太多齣彩之處,妙就妙在穿插在符碼剖析之間的閑筆逸墨,信手寫去,然巴特本人對敘事文本最精微要妙的洞察均見於此,esp. 古典小說作為replete Literature, 關於美的描述之不可能,論文化符碼,Starred Text,能指所指之間的雙嚮機製,對所指的召喚,對universal law的拆解和文本的plurality……全無章法又無所不包,隻有法國人纔寫得齣的書啊。
評分極為好看(在我能夠理解到的範圍內)!五種符碼本身並無太多齣彩之處,妙就妙在穿插在符碼剖析之間的閑筆逸墨,信手寫去,然巴特本人對敘事文本最精微要妙的洞察均見於此,esp. 古典小說作為replete Literature, 關於美的描述之不可能,論文化符碼,Starred Text,能指所指之間的雙嚮機製,對所指的召喚,對universal law的拆解和文本的plurality……全無章法又無所不包,隻有法國人纔寫得齣的書啊。
評分niubi
評分趕著看瞭前麵一部分。
S/Z 2025 pdf epub mobi 電子書 下載